Cover to Daredevil #501
Cover to Daredevil #501

When I first heard Brubaker and Lark were leaving Daredevil, I was sad to see them go since I felt they had done such a great job with the book. Granted, they had turned it into an incredible depressing book, but the stories were well-crafted and beautifully illustrated, and I’m not ashamed to say I’ve been a hardcore fan of their work. However, I always try to approach change with an open mind, and decided to put my faith in Andy Diggle from the start. Daredevil is a great character who often seems to bring out the very best in his creators, and Diggle had the kind of resume that suggested he might be a good fit.

Still, I must admit that I let out a deep sigh of relief after reading Daredevil #501. The Dark Reign: The List – Daredevil one-shot that effectively bridged the gap between the events of Daredevil #500 and the current issue of the monthly series was good, but it didn’t leave me fully convinced. But, as of right now, I’m comfortably seated, buckled in and along for the ride. Daredevil #501 is gorgeous to look at, features characters that sound like themselves, and gets the ball rolling nicely with a final scene that I would best describe as interesting in that things-are-not-what-they-seem sort of way.

The issue begins with a scene that may initially seem like yet another instance of the main character chastising himself over a personal failure – whether real or perceived. But there is a new factor at play here. With the events of Daredevil #500 and the most recent changes in the larger Marvel Universe, both the world and Daredevil’s place in it are drastically different. And, because of the fallout of last month’s The List tie-in, we see the main character asking himself all the questions we might expect from someone whose entire existence is based on rules when faced with a world where rules have lost their meaning. When is it okay to break them? Is killing ever justified and is it right to sacrifice one life to save many? This is a question that has been touched on before, though it has always been rapidly dismissed. With his treatment of Daredevil here, and in the final pages, Diggle doesn’t take the easy way out, but explores this issue and takes the character in an interesting new direction. At the same time, we’re left with a final scene where much is hidden from the reader, arousing curiosity and and just the right amount of suspicion.

The middle portion of the issue is devoted to many of the familiar faces of the Daredevil cast. I, for one, am very grateful to see Matt’s colleagues still be a part of the book. It is also nice to see them written in a way that is pitch perfect. Diggle gets their voices just right, and the interplay between them clicks. I saw one reviewer comment that he wanted less of this and more of the ninja action, and I couldn’t disagree more. The ninja action is fine, but I will always appreciate the elements that keep the book and its main character grounded, and that includes his civilian life or, in this case, the people associated with it.

The art is stellar, and I couldn’t be happier with Roberto de la Torre as the new artist. After having read the entire issue, it doesn’t seem right to compare his work here with either that of Michael Lark or Alex Maleev. This is a look that manages to be both refreshingly unique and comfortably familiar, and makes for a smooth transition. Still having Matt Hollingsworth on colors certainly helps too. All of the characters have distinct faces that are easily recognizable, and my only complaint would be that Foggy appears to have gained a bit of weight. (On the other hand, eating donuts and worrying about your best friend leading a band of ninja assassins could certainly explain that.) With just the right balance between rough and polished, I think this is a look I’m going to get used to very quickly.

All in all, this is a very promising start for the new creative team!

Christine Hanefalk

Christine Hanefalk

Based in Stockholm, Sweden, Christine is a die-hard Daredevil fan who launched The Other Murdock Papers in 2007 to share her passion for Matt Murdock and his friends with other fans.

4 comments

  1. Could you please put our review on the sidebar as well? http://comichaven.net/?p=1299

    Im glad im not the only one who likes Torre’s artwork, it really brings this issue up a notch for me (when it was already good) 😀

    1. Absolutely, consider it done (should be in the sidebar now). Thanks for commenting!

  2. I like how smooth a progression this is with Daredevil maybe crossing the line to killing people(even though the DD 503 solicit states that Izo is alive, perhaps revived). Heres a character who has been beaten, broken, and emotionally devastated with countless tragedies for decades of comics now, to the point that he is willing to torture crooks and permanently cripple The Owl. Now, we over a hundred innocents dead because of his refusal to kill, and an army of ninjas at his disposal, Murdock might be willing to go past boundaries he may have denied previously.

    With any other character, that whole “THE HAND IS THAT CAVE” conversation with Izo would have came off out of character. But with Murdock, it seems real. He one of a handful of heroes that he did kill someone, I would totally understand, especially in the current topsy turvy world where a well-known killer like Norman Osborn is the ruler.

    This is gonna be a very interesting run, methinks. I was preparing to leave after Bru/Lark’s incredible run(especially after the “just-ok” The List special), but the moral questions, fantastic artwork, great characterizations, and interesting storyline possibilities has me interested in the long run.

  3. Yes, yes, pretty much spot on review, I don’t even think I have anything to add. A LOT of suspicion is to be had, something just doesn’t feel right with Daredevil’s actions, but one way or the other, I’m very excited about this arc, and Diggle is one of my fave Marvel writers right now. And, yeah, the art is absolutely gorgeous.

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