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Lee Weeks

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Daredevil collected

by Christine on October 31, 2009 in Character Basics, Guides & Lists

How do you like your Daredevil? Served in a beautiful hardcover, in the form of a convenient take-it-on-the-train trade paperback or as single issues to be treated carefully and then put away for posterity? For many older issues, there isn’t much of a choice, but a great many of Daredevil’s adventures have been collected. This includes all of volume two, which, for the most part, is available in more than one format. The sole exception is the Playing to the Camera arc, written by Bob Gale, which was released as Daredevil #20-25. The question of whether it ever will be collected resurfaces from time to time, but there is currently no indication of any such plans.

About a year ago, I wrote a post called Daredevil Volume 2 for Dummies, which contains a comprehensive list of all volume two collections. It was recently updated too, and provides a good guide to the last ten years of Daredevil publication. Collected editions from volume one don’t cover every writer and era, but there’s still quite a bit of material out there. With this post, I’m going to attempt to list all volume one collections. I can’t promise perfection, but I’ll do my very best. Let me know if there’s something missing from this list and I’ll add it.

Silver Age : Marvel Masterworks Daredevil

The Marvel Masterworks hardcovers collect the early stories of some of Marvel’s most popular characters in full color. So far, there are five volumes, each collecting around ten issues. These volumes collect the entire Stan Lee run on Daredevil since Daredevil #53 was his final issue as writer. Click the images below for more details about each volume at www.marvelmasterworks.com

Collects Daredevil #1-11 Collects Daredevil #12-21 Collects Daredevil #22-32Collects Daredevil #33-41 Collects Daredevil #42-53

Read more under the cut –>

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Everybody loves to hate Milla

by Christine on October 4, 2009 in Character Basics, Commentary

On a couple of occasions, I’ve come across people on message boards who have absolutely loved the character of Milla Donovan, the first and only woman to ever get Matt Murdock to tie the knot. One guy even went so far as to say that she was one of the best characters to be introduced in Daredevil in recent memory. However, when you look at past Daredevil reviews in various fora, the majority opinion seems to be quite the opposite, with people’s feelings for the character running from lukewarm to ice cold.

Personally, I would say that I have liked the character just fine. No more, and no less. I’ve never been attached to her in the way I am to Foggy or even Dakota and Becky, but I have a hard time fully understanding where the considerable amount of hatred is coming from. To me, Milla’s main weakness as a character has been that after her strong first appearance, even Bendis, the very man who created her (along with Alex Maleev who based her appearance on that of his wife), didn’t quite seem to know what to do with her. When Milla was (permanently?) retired from the book in Daredevil #500, she was, in my opinion, an under-explored character, despite her many appearances. The same thing goes for her and Matt’s marriage. I still have no idea what made them click as a couple or what they really saw in each other.

More Milla under the cut –>

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Since this one came up in the comments section of a previous post, and I’ve been thinking of posting it for a while, I decided to just get to it. Sadly, this one isn’t from the Silver Age, but from the early 90’s when Daredevil scribe D.G. Chichester decided to give Matt something of a power boost, and a pretty big one at that. I’ve read in some interview that Chichester was into computers and technology (I’ll try to look for the source when I have the time). What a bummer for him that he was working on a book featuring a character who can’t realistically – and I’m already allowing for a more liberal use of the word “realism” – access content displayed on a screen by ordinary means. What does he do about it? He makes up a new power for Daredevil.

Why am I calling it a new power? Well, every single time Daredevil has read print in the comic, it has always been based on the idea that he can discriminate the difference in texture between the imprint of the ink on the page and the paper it is printed on and use this ability to discern the features of the text. This is relatively believable in that even a living breathing human in our own reality can actually feel the ink imprint in a regular newspaper (try it if you don’t believe me). The difference between us mere mortals and Matt Murdock is that his sense of touch is heightened to levels where the resolution of his fingertips is much higher than ours. That’s key here, because heightened means heightened and not fundamentally altered. Let’s have a look at the first panel from issue #298 (art by Lee Weeks)…

“Characters crawl across the screen, warm phosphors under my fingers writing out an indictment.”

Okay, so we’re dealing with “heat reading” here. I buy the increased sensitivity to variations in heat, but sadly for Chichester, this is simply impossible. I know what some might be thinking, it’s a comic book, right? Well, yes it is. On the other hand, Daredevil’s senses – when written well – don’t so much violate the laws of physics as the “laws” of biology. In fact, the whole premise of the character’s powers is that they are just heightened senses. Incredibly heightened, sure, but not enough to perceive something which simply isn’t there. This actually violates the laws of physics, because heat (and we can only assume the differences in heat on the screen are infinitesimal, if they exist at all) simply doesn’t behave that way. Light travels in nice little bundles, heat does not. Its pattern breaks down almost immediately. Besides, this is simply lazy writing. Wouldn’t it have been much cooler to see Matt use his head and just press the PrtSc button?

The computer-reading nonsense continues in ways that are even worse in issue #303, (art by M.C. Wyman) as seen below…

Not only is Matt able to read the screen by touch, he can do so quickly and apparently prefers it to screenreading software. Now, what signal is Chichester trying to send here? He may not consciously be trying to say anything, but the message seems to be: any instance of the main character having to do something the “blind way” for reasons other than pretense are obviously bad and unworthy of a superhero. And this is from a guy who, on the whole, wrote Daredevil’s senses beautifully.

Another reason not to indiscriminately increase a character’s powers without thinking first is that you remove a source of weakness that might serve as a plot point later on to get the character into trouble, which is why the below panel, from issue #306, (art by Scott McDaniel) suddenly makes very little sense…

“Information kiosk touch screen – warm phosphors under my hand. Colorful graphics to people with eyes that work… meaningless swirls to me. I grope in my darkness, tapping hard against every corner of the glass, hoping for the whirring hiss of a printer I’m finally rewarded with.”

Wait a minute now… Weren’t those meaningless swirls a source of high-resolution information just three issues earlier? I’d say that writers are better off sticking to the rules of the game in the first place so they don’t have to backtrack later on when the new power comes to bite them in the rear end. As for the computer situation, this already wacky ability seemed to fade away and was gone by the mid-90’s to be replaced with seemingly nothing at all. The current incarnation of the character appears to not use computers, which is a little odd, to say the least. We’ll see if Brubaker can deliver on that one somewhere down the line.

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