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Daredevil for beginners

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Daredevil collected

by Christine on October 31, 2009 in Character Basics, Guides & Lists

How do you like your Daredevil? Served in a beautiful hardcover, in the form of a convenient take-it-on-the-train trade paperback or as single issues to be treated carefully and then put away for posterity? For many older issues, there isn’t much of a choice, but a great many of Daredevil’s adventures have been collected. This includes all of volume two, which, for the most part, is available in more than one format. The sole exception is the Playing to the Camera arc, written by Bob Gale, which was released as Daredevil #20-25. The question of whether it ever will be collected resurfaces from time to time, but there is currently no indication of any such plans.

About a year ago, I wrote a post called Daredevil Volume 2 for Dummies, which contains a comprehensive list of all volume two collections. It was recently updated too, and provides a good guide to the last ten years of Daredevil publication. Collected editions from volume one don’t cover every writer and era, but there’s still quite a bit of material out there. With this post, I’m going to attempt to list all volume one collections. I can’t promise perfection, but I’ll do my very best. Let me know if there’s something missing from this list and I’ll add it.

Silver Age : Marvel Masterworks Daredevil

The Marvel Masterworks hardcovers collect the early stories of some of Marvel’s most popular characters in full color. So far, there are five volumes, each collecting around ten issues. These volumes collect the entire Stan Lee run on Daredevil since Daredevil #53 was his final issue as writer. Click the images below for more details about each volume at www.marvelmasterworks.com

Collects Daredevil #1-11 Collects Daredevil #12-21 Collects Daredevil #22-32Collects Daredevil #33-41 Collects Daredevil #42-53

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Well, I already covered the women in Matt’s life in a previous post, but I thought that maybe we should take a closer look at the women Matt has been in a commited relationship with, this being Valentine’s Day and everything. I’ll also label this as “Daredevil for beginners” so new fans can get a quick tour through the love life of the Man Without Fear. So, here they are, in order of when they appeared in Matt’s life, not when they first debuted in the comic:

  1. Elektra Natchios

    First appearance: Daredevil #168
    Creator: Frank Miller
    Relationship bio: Matt met Elektra as a freshman in college. She was the daughter of a Greek diplomat and it was love at first sniff for Matt, though Elektra rejected his advances at first. It wasn’t until he opened up to her about his abilities that she fell for him (a little close-minded on her part, but oh well). They dated for a year, during which they were blissfully happy.
    What went wrong: Elektra’s father was held hostage, and Matt made an unsuccessful attempt to save him. After his death, Elektra left Columbia University a changed woman. Matt didn’t see her again for many years until she returned as a cold-blooded assassin. Fatally wounded by Bullseye, she died in Matt’s arms and was ultimately resurrected in great comic book fashion. Elektra is currently a semi-prominent character in the Marvel Universe. Most recently, she was the leader of the Hand, and replaced by an alien Skrull before returning to Earth in the aftermath of Secret Invasion.

  2. Karen Page

    First appearance: Daredevil #1
    Creator: Stan Lee
    Relationship bio: In another instance of love at first sniff, Matt met Karen when Foggy hired her to be Nelson & Murdock’s first secretary. For many issues, the three were locked in a soap opera style love triangle. Things got even more complicated when Matt pretended to be his own fictional twin brother Mike, and Karen fell for him too. Finally, the two became a pair and Matt revealed to her his secret life. This caused a lot of strain in their relationship, and Karen left to go to Los Angeles where she became an actress. She briefly returned to New York before going on to make pornos. Somewhere along the line, she also became a heroin addict. Years later, she sold Matt’s secret to the Kingpin who went on to destroy Matt’s life. He forgave her and they moved in together in Hell’s Kitchen. Karen left after she discovered that Matt had had an affair with Typhoid Mary, but the two reconciled eventually.
    What went wrong: Well, the last time things went wrong, Karen returned after one final separation and told Matt she had AIDS. This turned out to be an illusion, but no one got to rejoice for very long. Karen dies at the hands of Bullseye (or Kevin Smith…), impaled by Daredevil’s own billy club.

  3. Natasha (Natalia) Romanova aka the Black Widow

    First appearance: Daredevil #80 (in Daredevil; the character first appeared in Tales of Suspense #52 in 1964)
    Creator(s): Stan Lee and Don Rico
    Relationship bio: The Black Widow saved Daredevil’s life in Daredevil #80 and the two eventually entered into both a private and professional partnership. They moved to San Francisco where they shared a house that was also home to Natasha’s driver Ivan (that Matt and Natasha were co-habiting while not being married was quite striking at the time). After their break-up, Matt and Natasha remained close and she continues to make regular appearances in the book. In her most recent appearance during Bendis’s run, she nearly managed to seduce Matt who was separated from his wife Milla at the time.
    What went wrong: Matt and Natasha seemed to have a big “division of labor” problem in their superhero careers. Natasha constantly complained that she didn’t receive the respect she felt she deserved and Matt was indeed being very macho (hey, this was a few decades ago). They finally parted ways as lovers and partners but have remained friends.

  4. Heather Glenn

    First appearance: Daredevil #126
    Creator: Marv Wolfman
    Relationship bio: Heather Glenn was the daughter of industrialist Maxwell Glenn. She met Matt when she just happened to show up in his apartment. A somewhat goofy, fun-loving girl, she managed to intially both annoy and charm Matt who gradually became more and more attached to her. They dated for quite a while and if nothing else, Heather did manage to get Matt to loosen up and she inspired him to set up a legal clinic.
    What went wrong: Heather’s father committed suicide because of the charges against him for crimes committed while he was under the influence of the Purple Man. Heather blamed Matt and also found out that he was Daredevil. While they managed to reconcile to some degree, Heather was not well equipped to handle the knowledge of Matt’s other life and even let the secret slip after an evening of drinking. Foggy and Natasha also meddled in Matt and Heather’s affairs and managed to break up the couple’s engagement. Some time later, Heather committed suicide.

  5. Glorianna O’Breen

    First appearance: Daredevil #205
    Creator: Denny O’Neill
    Relationship bio: Glorianna was the niece of Foggy’s then-wife Debbie Harris and was born and raised in Ireland. She had ties to the IRA. She and Matt gradually became close. She broke up with him via audio tape in a scene reminiscent of the one in which “Heather” (voiced by Colin Farrell’s sister apparently) breaks up with Matt in the Daredevil movie. This took place during the first issue of Born Again. Glorianna went on to date Foggy and disappeared from the comic entirely in the beginning of Nocenti’s run. Glorianna is the only one of Matt’s steady girlfriends to date who never learned that Matt is really Daredevil.
    What went wrong: Glorianna broke up with Matt for being distant and generally troubled. She met her final demise in issue #340 when “Alan Smithee” (D.G. Chichester) decided to kill her off for no apparent reason.

  6. Milla Donovan

    First appearance: Daredevil #41 (vol 2)
    Creator: Brian Michael Bendis
    Relationship bio: Daredevil saved Milla from being hit by a bus, landing both of them on top of each other in a clothing store. Like Matt, Milla Donovan is blind. She is also unique in that she knew that Matt was Daredevil when they started dating. While Matt initially tries to deny this, Milla soon catches him in a lie. The two married during the famous “lost year” in volume 2. Their relationship has hit a lot of rough spots. When Milla suspected that Matt married her while not in his right mind and still getting over the death of Karen Page, she sought to have their marriage annulled. Matt refused to sign the papers and the two eventually reconciled. They enjoyed a brief period of happiness after Matt’s return from Europe during the Brubaker run.
    What went wrong: Milla was poisoned by Mr Fear (Larry Cranston) and gradually driven insane. She is confined to a mental hospital as of Daredevil #105 (vol 2). Her current status and future is uncertain.

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Daredevil continuity is relatively uncluttered by paradoxical events and conflicting timelines, but it is not entirely straightforward. The first major complicating factor came in the form of Frank Miller’s mini-series Man Without Fear in the early 90’s. Then there’s the movie to consider. No, movie events rarely enter into canon, but they can make the new fan feel a little confused about the conflicting accounts of a character’s history. So, I’ll slap this post with the Daredevil for beginners label for the benefit of the canonically confused and hope to be able to shed som light on the situation.

Most of the events where the timeline seems to be in question pertain to Matt’s early life. How old was Matt at the time of his accident? How old was he when his father died and just where did he go to college and law school? What about mini-series like Battlin’ Jack Murdock and Daredevil: Father? Are they canon, and who decides? Let’s look at this one event at a time.

All your continuity questions answered under the cut –>

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Against all odds

by Christine on May 6, 2008 in Character Basics, Commentary

This is the final part to the series The appeal of Daredevil

Do you remember that incredibly annoying song called Tubthumping, by Chumbawamba (was that their only hit, by the way?). In case you forgot, you can look it up on YouTube. I’d have to warn you though, it really gets stuck in your head. Anyway, there are a few lines in that song – repeated over and over – that perfectly describe Matt Murdock’s life:

I get knocked down
But I get up again
You’re never going to
Keep me down

Even before donning the Daredevil costume, Matt had led one of those lives that would earn you a special feature in the human interest section of the newspaper. Just imagine the story that could be written about the child of a single father (with a questionable employment history) who is bullied by the other kids at school for being a good student and refusing to fight. He then saves somebody’s life in an act of heroism and is punished for his good deed by being hit in the face with radioactive toxins. He loses his sight, yet manages to make an impressive comeback and get into college, then law school and finally graduate at the top of his class. However, just before graduation, his father is murdered for refusing to throw a fight – a final act of defiance to make his son proud. Matt’s story is definitely a complete tear-jerker, there’s no doubt about that.

Of course, that’s only half the story. However, the full story doesn’t necessarily make it any less impressive. While Daredevil is endowed with special powers, he’s a fighter who relies much more on skill and perseverance than most. He’s disciplined because he has to be. He doesn’t have super-human strength or speed, but has had to physically train his body to extreme levels. Even getting the best use out of the senses that take him from human to superhuman takes dedication and focus. And despite his best efforts, he does get knocked down from time to time. Both mentally, from losing people around him and being constantly pushed to his limit, and physically. Daredevil is a hero for whom cuts, bruises and broken ribs are part of the package. It’s the risk he takes for often going up against enemies he knows are more powerful physically. Yet, he does so anyway. Just like he always gets back up again everytime he’s knocked down.

Daredevil’s “never give up” underdog quality is perhaps the most universally appealing aspect of the character. He’s low-powered enough that the risks he takes doing what he does are really enormous. His skills and enhanced senses give him quite an edge in combat situations, but a direct blow to any part of his body would hurt him as much as anyone else. And, while most of what we associate with the character today dates back to the Miller era, this aspect dates back to the very beginning. It is already clearly evident in Daredevil’s battle with Namor in issue #7 (which I otherwise happen to think is wildly overrated…). Just take a look at this scene from the “archives”:


Just as an aside, but doesn’t DD look incredibly cute in this last panel? Those horns look like little ears and I just feel myself getting a little maternal here (this is how you tell the female fans from the male fans, by the way…).

Another example of Daredevil refusing to give up is in the classic #169 by Frank Miller, when Daredevil battles Bullseye in the subway, as shown here. In this sequence, Daredevil willingly and knowingly follows Bullseye into an environment he is ill-equipped to handle. His senses are completely taken out of commission, yet he struggles on, manages to get a hold of his enemy and finally subdues him, even with the odds massively stacked against him. In the end, when he stands triumphant, Daredevil thinks to himself: “I told you once Bullseye… A long time ago… I never give up… That’s why… I’ll always beat you…”

While the events following the Elektra saga and then Born Again were not the first examples of Matt being in a dark place psychologically (he was even written as bordeline depressed in some of Gerry Conway’s early issues while still dealing with Karen leaving him), they are probably the most famous. Below are three scenes from Born Again, showing Matt being first down (issue #227), then completely nuts (issue #228), and then restored (issue #233). At the end of Born Again, Matt has lost a great deal (such as his home and his license to practice law), but he still manages to come out on top in the end with Karen at his side and a newfound love of life.

“Dust… The dust is thick… could choke on it… There’s nothing left. So you know. So that’s why. I never would have connected it to you. Nothing about it said gangster until this. It was a nice piece of work, Kingpin. You shouldn’t have signed it.”

(I always found this scene particularly unsettling. At first you think he’s actually having a conversation with Foggy, until you realize he’s talking to a recording, and the revelation of how out of touch Matt really is begins to hit home. Very creepy…)

“My name is Matt Murdock. I was blinded by radiation. My remaining senses function with superhuman sharpness. I live in Hell’s Kitchen and do my best to keep it clean. That’s all you need to know.”

Most Daredevil readers like to see Matt beat the odds, and come back up after he’s been knocked down – physically or emotionally. But sometimes when I read what fans have to say about the book and the character I get the feeling that people are forgetting about the necessary triumph at the end of it all. Seeing Matt down and at his wits end is only meaningful when you know that he’ll be able to get back up again, and I can’t help feeling nostalgic for the older issues when he was occasionally allowed a breather and didn’t constantly have his back against the wall.

I really don’t have that much more to say on this particular topic, it’s almost too big (so, sorry for the sudden end to this post). Instead, I’d like to ask readers’ opinions on some favorite moments of Matt either being at his lowest or highest. Comment away!

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This is my second post on the appeal of Daredevil. See the end of the post for other entries in this series.

Daredevil may be the only superhero who is more famous for what he can’t do (see), than what he can do. The Wikipedia article on Daredevil states within the very first paragraph: “… and is notable as being among the few superheroes with a disability…” Before going on, I’d like to quote what Joe Quesada said in part 3 of the One More Day interviews on Comic Book Resources, and give my own comments below:

“Let’s look at Daredevil and let’s make this simple, because in the case of DD as a character, it is. Matt Murdock has an incredible past, a tragic yet uplifting one. “What makes DD different than any other hero, however, is that he’s handicapped. He has gone through all that he has gone through and he’s managed to triumph over all of it while being blind.This is the one thing that makes DD truly special and stand out. Now, what if we were to give Matt his eyesight back permanently in a way that would be difficult to retcon? Sure, DD would still be somewhat cool, but not nearly as interesting or different as he is being blind. Ultimately, I don’t think people would stick around to read the ongoing stories of a sighted Daredevil because giving him his sight back just makes him another grim and gritty hero with very little else to differentiate him.”

Aside from the fact that Joe Quesada brought this up to make a comparison between Daredevil’s blindness and Spider-man’s marriage(!), does he have a point? Is being blind what makes Daredevil unique and is it true that people wouldn’t stick around to read about him if he were sighted?

I’d be the first to admit that I find the basic premise of Daredevil to be incredibly appealing. It makes him exotic, and it adds a big touch of humanity. There’s also something inherently intriguing about a character who can dodge bullets but can’t read a text message on his cell phone (well, he could get some software that takes care of that, but you know what I mean). However, I think people who reduce the character to this one thing are missing a big part of the picture. They also overestimate the importance that most writers have given to Daredevil’s most famous quirk. It’s a great gimmick – I would even say that the book probably survived its first one hundred issues thanks to this gimmick – and it does make the character stand out. For the most part, however, it’s been treated as little more than just that – a gimmick.

People may pick up the book because they like the basic concept, but they probably find other reasons to stick around. With Matt Murdock being such a generally compelling character, and with all the excellent stories that have been told about him, there are plenty of other hooks to keep the the readers’ attention. For some of those who are picking up the book for the first time, the idea of the blind superhero is probably a big part of the appeal. For the fans of the book, this aspect probably ranges from “important” to “nearly irrelevant,” depending on who you ask (although I suspect even the latter group would be a little annoyed should he be given his sight back permanently).

Because, at the end of the day, Joe Quesada’s quote is also a bit disingenuous. He’s talking about Matt Murdock being successful in spite of his disability when we have never actually seen this issue dealt with in any significant way. In fact, it’s been reduced to such a non-issue that many fans question the very idea that Matt is even disabled. I would even go out on a limb here and say that the way Quesada (above) and Stan Lee talk about how “Daredevil is such a great hero because he’s handicapped,” goes against whatever policies have governed how the character has been portrayed for the last 40+ years. While many writers have made extensive metaphorical use of Daredevil’s blindness (evident in issues bearing such names as “The Blindness Men Wish For,” “Blind Spots, and “Blind Man’s Bluff”), any real consequences of not having normal vision have usually been denied. Perhaps to make the character live up to the old adage “my other senses more than compensate,” regardless of whether this assertion makes sense or not, or maybe because writers have found it too inconvenient to portray Matt’s actual limitations in any sort of realistic way. (For those who question my desire for realism in comics, I should also add that I find the fact that Wolverine can regenerate his body from a pile of bones to be somewhat annoying.)

The instances of writers having Matt in any way acknowledge that being blind might be something of an occasional nuisance (yes, even with his heightened senses and nifty radar) are few and far in between, but they do exist. Denny O’Neill had Matt express what could only be described as frustration on a couple of occasions when faced with situations where his senses weren’t enough. Gerry Conway shocked the socks off readers – as evidenced by the comments on the letters page – by introducing the idea that Matt actually misses his sight every once in a while (holy cow!).

“I was in my secret identity — as Matt Murdock, first class attorney — when I met Chuckie. The secret identity can be a relief, Bullseye. When I’m Murdock, I don’t have to use my amplified senses to pretend I’m not blind.”

And, in Roulette (#191), by Frank Miller, Daredevil tells Bullseye “I was in my secret identity — as Matt Murdock, first class attorney — when I met Chuckie. The secret identity can be a relief, Bullseye. When I’m Murdock, I don’t have to use my amplified senses to pretend I’m not blind.” This, for me, is a much more mature handling of this aspect of the character than Stan Lee’s Matt, who would drop such lines as “I can color-coordinate my wardrobe better than any sighted man!” on every page. Okay, I made that last one up, but there was a definite pattern going on. My question for Stan would be: if the hero’s blindness must be rendered completely irrelevant at all cost, what was the point of making him blind in the first place?

I once read a comment on a message board by a poster who said that the biggest problem with Daredevil as a character was that his powers were so good it was almost as if he could see, making his blindness irrelevant. I would say that the flaw he’s pointing to has less to do with Daredevil’s powers – as long as they aren’t pumped up to ridiculous extremes – but to the failure on behalf of some writers to realize or acknowledge that they don’t actually fully replace normal human vision. But I agree with this poster to the extent that I would have like to see a more realistic handling of this aspect of the character. That doesn’t mean what some people might think it means. I’m not talking about swapping the superheroics for a deep look at the “plight” of the blind. In fact, there’s not a single one of all the great stories told about this character that couldn’t have been told while being as respectful of Daredevil’s disability as of his “super-abilities.” The kind of difference I would have liked to see would have been a subtle one, but it would have made the character even more compelling, as I see it.

Needless to say, I find Daredevil’s blindness to be a big part of his appeal for me – regardless of how it is actually portrayed. Even more so when combined with his other senses. It’s like he lives in his own separate world that is at once both bigger and smaller – both “better” and “worse”- than everyone else’s. There are lots of experiences that he can’t fully share with other people, and at the same time he has access to other things that the average person can’t even imagine. It’s just interesting stuff.

Would I keep reading the book if Matt got his sight back? Yes, I would. That’s not to say that Quesada doesn’t at least have one point. While being blind isn’t really what Daredevil is all about, it certainly adds to what makes him unique.

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The lawyer and the vigilante

by Christine on May 2, 2008 in Character Basics, Commentary

The first of three posts on the appeal of Daredevil, introduced HERE.

Americans seem to have a love/hate relationship with lawyers. No one seems to like them until they actually need one for divorce court, that pesky personal injury claim, or to settle the ongoing dispute with the cranky neighbor. No country in the world has as many lawyers per capita as the United States. Nor does any other country have such a long list of lawyer jokes. Although, I once heard it said that the problem with lawyer jokes is that “laywers don’t think they’re funny, and no one else thinks they’re jokes.”

At the same time, people can’t seem to get enough lawyer action, devouring each John Grisham novel as it is released, munching popcorn to those big trial movies, and tuning into every single episode coming out of the Law & Order franchise. On top of that you have Court TV, and shows like People’s Court and Judge Judy. People like to watch trials, hear about them and read about them. So what could be juicier than reading a comic book about a lawyer? And one that while certainly making enough money to sport some really nice suits, does it primarily to help people. Yeah, Matt Murdock is one lawyer you don’t have to feel guilty about rooting for.

I admit to being one of those people who does watch a lot of law shows. Not religiously, but if one happens to be on, and there’s nothing spectacular happening on another channel, I usually tune in. There’s definitely something to be said for for glamorous-looking people spouting such great lines as “Objection!,” “My client is innocent, Your Honor,” and “Counsellor, you’re out of order!” Then there’s that extra dimension to court cases that actually mean something, when an innocent man has been convicted, or when you really want to see the bad guys get their day in court. So, inevitably, I must confess to really liking the fact that Daredevil himself is a lawyer out of costume, and I’m a big fan of seeing him and the partners slugging it out in court.

Having a superhero who’s a lawer in his civilian identity makes a lot of sense. As evidenced by all the law shows I just mentioned, there are thousands of stories to tell within that kind of setting. It is also a great way to introduce villains and get the hero involved in cases that might need some extra-curricular intervention. The “client as villain” approach was used heavily in Stan Lee’s days. In fact, with the amount of work that was getting done around the office (that is, none at all…), Nelson & Murdock seemed to just be a front for a costumed villain casting studio. “Want a chance to battle Daredevil? Show up between nine and five and kidnap that lovely blonde secretary, and we’ll see what we can do.”

Since the early days, the amount of attention given to Matt’s role as a lawyer has varied considerably. Sometimes it has depended on the writer, and sometimes it seems to have been a consequence of other things happening in the book. However, with the exception of a few years after Born Again, another couple of years after Fall From Grace, and the first year of Brubaker’s run, Matt has always been a practicing lawyer, regardless of whether this aspect of the character has been featured reguarly or not. What’s fascinating about the idea of the “lawyer vigilante” is that his two lifestyles both compliment each other and seem completely contradictory. In a sense, Matt’s day job and his Daredevil business are both contributing equally to what he’s trying to do in the world. Unlike Spider-man, he doesn’t just have a job that pays the rent (by the way, is Peter Parker paying rent at his aunt’s house these days?), he has a job that is an extension of and a complement to what he does in costume. Perhaps that is why writers can afford to sneak a trial arc or two past the “must see the costume every issue at all cost” crowd. We all buy that he’s the same guy doing essentially the same thing, regardless of whether he’s in costume or not. His being a lawyer adds to what makes him interesting as a character.

Where it really gets tricky, and rather intriguing, is where the lawyer and the vigilante clash. We could have a long, and essentially pointless debate, over whether lawyers are expected to have greater respect for the law than the average person on the street. The fact remains, however, that Matt is one of those people who finds a great degree of comfort in the rule of law, lectures other people about its virtues, and then turns around and breaks that very same law on a daily basis. He believes firmly in the legal system, yet operates outside of it. This does make him something of a hypocrite. Not so much because he’s a lawyer, but because he claims to want to do things by the book. In order to escape the confines of his own moral code, he makes his own set of rules. This is evident as early as in the very first issue of the series. By taking on a second identity and disguising himself, he manages to rationalize his decision to break the promise he made to his father, and go after the men who killed him.

While I’ll delay any detailed comparisons to the Punisher until I have enough material for a separate post, I’d say that the biggest difference between Matt Murdock and Frank Castle isn’t a matter of degree, as many would suggest. Daredevil is not the “light version” of the Punisher, but a differet kind of hero altogether. Where Matt is deep passion restrained by a code of ethics, Frank is complete detachment. The Punisher doesn’t care about getting his activities to fit within any kind of predefined boundaries, and he probably doesn’t lie awake at night worrying about whether or not he’s breaking the rules. Daredevil is all about the rules. While there’s no room for pro bono vigilantism in the legal system he serves during the day, Matt quiets his (presumably) guilty conscience by subjecting himself to certain standards of behavior. He likes rules, and by setting firm limits for himself, he can fool himself into thinking that he isn’t really breaking the law that badly. But he is. And, deep down, he knows that.

This contributes to making Matt a very conflicted guy who often does things that don’t make complete sense to himself and those around him. He is a hypocrite. He is also a deeply moral character, and one that would never hesitate to endanger himself to protect other people or his own lofty ideals. He is the guy who strives to do the right thing – by the book when he can, and by bending the rules when he can’t. He just tries to do what is right, as he sees it. It’s really that simple. At the same time, he will always beat himself up over the fact that no matter how hard he tries, the different pieces of the puzzle that is his life will never quite fit together. His life will never really make perfect sense. And that makes for some pretty interesting stories and an even more interesting character.

Next in this series I’ll look at what people in the marketing field would call Daredevil’s unique selling point. “The blind superhero” will be up by the weekend. Have a great day everyone!

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The appeal of Daredevil …

by Christine on May 1, 2008 in Character Basics

When thinking about this post, I realized that the appeal of a character as rich and complex as Matt Murdock/Daredevil is too great and too multi-faceted to be summed up in one post. Well, it could be, but it would be needlessly long and a little unfocused. So, I figured I’d divide it up into different parts. And I’m totally looking for lots of comments on these posts since I know that the appeal is different for each fan, and that people read Daredevil for many different reasons.

I’ve heard of people who were initially drawn to the character because of his cool-looking costume. I even read a comment one time by a reader who felt a connection to Daredevil because they both had red hair, which was (and still is, I suppose) quite rare in comics – and in the real world. Most are immediately attracted to his “never give in” attitude, and his humanity. People relate to Matt Murdock because he’s human, and his powers are on a scale that make him more “real” than most. Some are intrigued by the concept of a blind superhero, others like that he’s a lawyer. Then there are those who read Daredevil just so that they can feel better about their own lives. No matter how hard things get, there are some people who have it worse, and at the top of that list is Matt Murdock.

Rather than go on, I’ll continue this discussion in three separate posts: “The lawyer and the vigilante,” “The blind superhero,” and “Against all odds.” Yes, I’m aware that coming up with pretentious-sounding titles for posts ahead of time is a little, well, pretentious, but that should give you some idea of what areas I’d like to highlight in each post. So, I guess we’ll see if I can come up with something worthwhile to say. Also, before I go, I’d like to direct you to what two “cyber friends” of mine (hey guys!) have had to say on the topic: HERE and HERE. If the sight of a foreign language scares you, don’t fret. Babelfish (by AltaVista) actually spits out decent – sort of – translations that are at least readable. And, it’s well worth it.

UPDATED: JP (the guy who authored the excellent essay hiding behind the second “HERE”) has now posted a translation of it HERE. Go check it out!

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Daredevil Volume 2 for Dummies

by Christine on March 12, 2008 in Guides & Lists

This post has been updated to reflect available TPBs and HCs as of August 2009. See the end of the post for all omnibuses.

Actually, I was never too fond of the name of the “for Dummies” series. It’s hardly the dummies who go out and buy book about things they’d like to know more about. It’s probably safe to say that the real dummies are the ones who remain clueless. And there’s definitely no need to feel like a dummy for not figuring out the ins and outs of Daredevil Volume 2. The main thing to remember is that the numbering doesn’t match between TPBs and HCs. And don’t worry, I’ll do a quick recap at the end. Okay, here we go…

Daredevil vol 2, issues #1-8 were written by Kevin Smith, and pencilled by Joe Quesada. This arc is collected in the TPB Daredevil Visionaries Vol. 1: Guardian Devil. Daredevil vol 2, issues #9-15, by David Mack, and Joe Quesada on pencils once again, are collected in the TPB Daredevil Vol. 2: Parts of a Hole. These two arcs can be purchased together in hardcover format as Daredevil, Vol. 1.

Next comes Brian Michaels Bendis’s first work on Daredevil, in the “Ben Urich-centric” (is that a real word?) arc Wake Up with painted art by David Mack. It stretches from issues #16-19 and is collected in the TPB Daredevil Vol. 3: Wake Up. This is also collected in HC, together with the very last story arc from Bendis’s run, so we’ll get to that later.

Issues #20-25 (Playing to the Camera), by Bob Gale have not been collected, and it doesn’t look like they will be any time soon (if ever). They are available on Marvel Digital Comics, however, if you’re dying to read this arc.

Bendis’s longer run on Daredevil (with art by Alex Maleev and a couple of guest artists here and there) begins with issue #26. The arc Underboss (#26-31) is collected in TPB as Daredevil Vol. 4: Underboss. It is collected together with Out (#32-37) in the hardcover volume Daredevil, Vol. 2. Out is, of course, also available in TPB format as Daredevil Vol. 5: Out.

Next up is the arc The Trial of the Century (issues #38-40), which is collected in the TPB “Out” (see above). It is also included in Daredevil, Vol. 3 (hardcover). Also in this volume are the arcs Lowlife (#41-45) and Hardcore (#46-50). They are available separately as TPBs. There’s Daredevil Vol. 6: Lowlife and Daredevil Vol. 7: Hardcore.

Next up is an intermission with an arc featuring Echo (Maya Lopez) who was introduced in Parts of a Hole. The issues are written and drawn by David Mack, and only feature Daredevil in a few panels. A good arc on its own, but not essential reading for those looking to get up to speed. Issues #50-56 are collected in Daredevil Vol. 8: Echo – Vision Quest.

Next, Bendis and Maleev return in the arc King of Hell’s Kitchen (#56-60), collected in Daredevil Vol. 9: King of Hell’s Kitchen, and The Widow (#61-64), collected in Daredevil Vol. 10: The Widow. The latter also includes the Daredevil 40th Anniversary Issue (#65). The whole thing is collected in the hardcover volume Daredevil, Vol. 4, which also reprints issues #81 and 82 from volume 1 (of the comic book), featuring the first meeting between Daredevil and the Black Widow.

The next hardcover volume Daredevil, Vol 5 collects the two subsequent arcs Golden Age (#66-70) and Decalogue (#71-75). As (nearly) always, these are also available as the TPBs Daredevil Vol. 11: Golden Age and Daredevil Vol. 12: Decalogue.

Last, but not least (of Bendis/Maleev that is), there’s the TPB Daredevil Vol. 13: The Murdock Papers, collecting the arc by the same name, stretching issues #76-81. This is, in turn, also collected in Daredevil, Vol. 6, together with the much earlier arc Wake Up (issues #16-19).

This brings us to the Brubaker/Lark run, where they start renumbering the TPBs again, just to make it more confusing for everyone. Here are Brubaker’s story arcs so far and their corresponding TPBs:

So, let’s do a really quick and simple recap of all hardcovers, including omnibi (not mentioned previously in the post):

On top of this, there’s TPB vol 8 and issues #20-25 (not collected). Now doesn’t that make perfect sense? Phew! If you have any questions about what’s what, send me an email or ask me in a comment!

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Oh Karen! #1

by Christine on March 7, 2008 in Character Basics, Oh Karen!

I wonder if Stan Lee, when he created the “gorgeous Karen Page” for Daredevil #1, had any idea that his innocent piece of eye candy would turn into a heroin addict and prostitute. Karen eventually broke free of her addiction and returned to normal life before she died of a billy club to the chest at the hands of Bullseye. Or Kevin Smith, depending on how you want to look at it. Either way, it’s a terrible way to go. Oh, and I hope I’m not spoiling anything for anyone here, but this happened ten years ago (real time), so… Well, tough luck!

While people who have only read Volume 2 may not be all that familiar with Karen, she has a long and interesting history, which I thought I’d explore in a number of posts, starting at the very beginning. In the beginning, Karen was a picture of beauty and innocence, so sweet that if you could eat her, she’d be cotton candy. She was also immediately pulled into a love triangle with Matt and Foggy who both pined for her. She, in turn, had a thing for Daredevil – and Matt. Let’s have a look at some Karen moments from the first four issues, shall we?

Here’s Karen way back in Daredevil #1 from 1964. Notice the lovely hairdo and the ever so becoming Florence Nightingale tendencies:

Foggy looking for Matt, Daredevil #1

Foggy looking for Matt, Daredevil #1

More Karen under the cut –>

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Daredevil #1 is, of course, a classic issue. It marks the character’s first appearance and is the first of nearly five hundred issues of comic book history. I’m not sure what DD’s creators were smoking when they created him, but the idea was pure genius in all its “nuttiness.”

The story itself begins in medias res, as our mysterious hero crashes a poker game, looking for the Fixer. The reader is left in the dark as to why the costumed guy in yellow is looking for this Fixer person, while treated to a two-page fight scene which then cuts straight to the classic origin story:

The year is 1950 and Matt Murdock is eight. This, of course, makes him the hottest 65-year-old on the planet, but that’s the neat thing about comic book time. Anyway, eight-year-old Matt wants to go out and play with the other kids, but is told by his prizefighter father that he has to stay home and study and make something of himself. As the years go by, Matt suffers in silence as he’s stuck in his room studying (although I never got why he wasn’t even allowed to play sports…), and he is teased by the other kids who call him “Daredevil.” It’s a name that he will, of course, wear as a badge later in life. Matt works out in secret and discovers that he can throw a mean punch. Being the good boy that he is, he remains devoted to his studies while spending hours at the gym. These days, parents probably have to bribe their kids with computer games to get them to work out, but these were different times indeed.

Jack Murdock talking to Matt

Jack Murdock talking to Matt

Meanwhile, Jack Murdock has his own set of problems. His best days as a fighter are behind him and desperate for a steady income he has no choice but to sign with the Fixer. By more or less selling his soul to this doubtlessly shady character, he manages to secure the money he needs to provide for his son. Jack returns to an empty apartment as his son is out on the street, about to make a fateful decision. When Matt sees a blind man about to be hit by a truck, he pushes him out of the way. The rest, as the say, is history. As radioactive material from the truck hits young Matt in the face, he loses his sight. Incidentally, this doesn’t seem to bother him much, but then again, he is something of a fighter. Soon after the accident, Matt discovers that he is now better at pretty much everything, which apparently includes studying. Though why going blind and having your remaining senses heightened would automatically make you a better student, no one will ever know. Matt, who is now in college explains his abilities as follows:

  • “My hearing is so acute, that I can tell if someone is in a room with me just by hearing the heartbeat!”

  • “And I never forget an odor once I smell it! I could recognize any girl by her perfume… Or any man by his hair tonic…” (Yes, this was back when men wore hair tonic.)

  • “Even my fingers have become incredibly sensitive! I can tell how many bullets are in a gun just by the weight of the barrel…” (Aside from being a weird reference, wouldn’t this also depend on the make of the gun?)

  • “While my sense of taste has become so highly developed that I can tell exactly how many grains of salt are on a piece of pretzel…” (Here’s a hint, count them with the tip of your tongue!)

  • “But my most important new ability is in the form of a built-in radar that I seem to have developed! It enables med to walk anywhere safely, without bumping into anything!” “I feel a strange tingling sensation when I approach any solid obstacle, warning me which way to turn!”

While his son is breezing through college, Jack Murdock’s career is going well and he gets picked for a big fight. What Matt doesn’t know then is that Jack has been told to take a dive in the first round. Inspired by his son’s presence, Jack decides to fight and ultimately wins the match. For this, he pays the ultimate price as he is gunned down by the Fixer’s men. Matt mourns his father for about one panel, and then graduates from law school. He goes into business with Foggy who, as his first order of business, hires the beautiful Karen Page as their secretary. For Matt, it’s love at first, uhm, whiff?

Still tormented by his fathers death, Matt decides to put his powers to good use. Since he feels he cannot break the promise he made to his father, he solves the problem by becoming somebody else. This idea leads him to make his first costume. By hand. You’d think someone could lend the guy a sewing machine, but no. However, within a matter of hours, his work – the classic yellow/red/black costume – is complete. He then goes about transforming his cane into a weapon, and hits the streets. His first priority is to go after the Fixer and his men.

Matt practicing in his new Daredevil costume

Matt practicing in his new Daredevil costume

While Matt, or should I say Daredevil, is busy being the most “handicapable” superhero in the Marvel Universe, Foggy is worried about his friend. Hoping to find him back at the office, he bumps into Karen. This meeting is preceded by a caption which would come across as questionable today: “But, entering the new office, Foggy finds it unoccupied, except for the most decorative accessory…” Yeah, the accessory in question would be none other than Karen Page. Karen, meanwhile, seems to be just overcome with pity for her blind boss and more or less openly admits that she wants to be the one to take care of him. Needless to say, Foggy himself also has a thing for Karen and the soap opera that would characterize the trio’s relationship for years to come is already evident in this, the very first issue.

In another part of town (presumably), Daredevil is on the trail of the Fixer and his cohort Slade. He traces them by the smell of the Fixer’s cigar and follows them to a subway station. As the Fixer is chased, his heart gives out and he dies of a heart attack. Daredevil hands Slade, the man who pulled the trigger on his father, to the police and justice is done. And so ends the very first issue of Daredevil.

Verdict: 8/10

It’s a classic, and the storytelling is pretty tight. Daredevil’s origin story has been added to and ret-conned a few times, but the basic elements remain the same. I always liked the classic origin, and prefer it over Frank Miller’s Man Without Fear, even though Stick (who was added to the mythos by Miller during his initial run) is a nice addition. As are the more realistic elements of Matt actually having to struggle to gain control over his new abilities and adjust to his new life. While Matt’s abilities actually come across as fairly modest in the first issue, the idea that the same powers which make him believable as a blind superhero could actually be painfully intense is introduced much later.

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