Posts tagged as:

Character basics

Hey there! Time got away from me, but it’s finally time to take a look at the first appearance of the Hand, in Daredevil #174 (published in 1981), written and penciled by the one and only Frank Miller. Let’s dive right in.

Elektra had been introduced a few issues earlier, but here we see her in Paris, running into her former associates when they go after the same target. Following them to their hide-out, she gives us a brief background on their common history…

In Paris, Elektra discovers some Hand ninjas

In Paris, Elektra discovers some Hand ninjas

More of The Hand under the cut –>

( 1 comment )

ComicsBlips: vote it up!
Commentary icon

Daredevil collected

by Christine on October 31, 2009 in Character Basics, Guides & Lists

How do you like your Daredevil? Served in a beautiful hardcover, in the form of a convenient take-it-on-the-train trade paperback or as single issues to be treated carefully and then put away for posterity? For many older issues, there isn’t much of a choice, but a great many of Daredevil’s adventures have been collected. This includes all of volume two, which, for the most part, is available in more than one format. The sole exception is the Playing to the Camera arc, written by Bob Gale, which was released as Daredevil #20-25. The question of whether it ever will be collected resurfaces from time to time, but there is currently no indication of any such plans.

About a year ago, I wrote a post called Daredevil Volume 2 for Dummies, which contains a comprehensive list of all volume two collections. It was recently updated too, and provides a good guide to the last ten years of Daredevil publication. Collected editions from volume one don’t cover every writer and era, but there’s still quite a bit of material out there. With this post, I’m going to attempt to list all volume one collections. I can’t promise perfection, but I’ll do my very best. Let me know if there’s something missing from this list and I’ll add it.

Silver Age : Marvel Masterworks Daredevil

The Marvel Masterworks hardcovers collect the early stories of some of Marvel’s most popular characters in full color. So far, there are five volumes, each collecting around ten issues. These volumes collect the entire Stan Lee run on Daredevil since Daredevil #53 was his final issue as writer. Click the images below for more details about each volume at www.marvelmasterworks.com

Collects Daredevil #1-11 Collects Daredevil #12-21 Collects Daredevil #22-32Collects Daredevil #33-41 Collects Daredevil #42-53

Read more under the cut –>

( 4 comments )

ComicsBlips: vote it up!

Well, I already covered the women in Matt’s life in a previous post, but I thought that maybe we should take a closer look at the women Matt has been in a commited relationship with, this being Valentine’s Day and everything. I’ll also label this as “Daredevil for beginners” so new fans can get a quick tour through the love life of the Man Without Fear. So, here they are, in order of when they appeared in Matt’s life, not when they first debuted in the comic:

  1. Elektra Natchios

    First appearance: Daredevil #168
    Creator: Frank Miller
    Relationship bio: Matt met Elektra as a freshman in college. She was the daughter of a Greek diplomat and it was love at first sniff for Matt, though Elektra rejected his advances at first. It wasn’t until he opened up to her about his abilities that she fell for him (a little close-minded on her part, but oh well). They dated for a year, during which they were blissfully happy.
    What went wrong: Elektra’s father was held hostage, and Matt made an unsuccessful attempt to save him. After his death, Elektra left Columbia University a changed woman. Matt didn’t see her again for many years until she returned as a cold-blooded assassin. Fatally wounded by Bullseye, she died in Matt’s arms and was ultimately resurrected in great comic book fashion. Elektra is currently a semi-prominent character in the Marvel Universe. Most recently, she was the leader of the Hand, and replaced by an alien Skrull before returning to Earth in the aftermath of Secret Invasion.

  2. Karen Page

    First appearance: Daredevil #1
    Creator: Stan Lee
    Relationship bio: In another instance of love at first sniff, Matt met Karen when Foggy hired her to be Nelson & Murdock’s first secretary. For many issues, the three were locked in a soap opera style love triangle. Things got even more complicated when Matt pretended to be his own fictional twin brother Mike, and Karen fell for him too. Finally, the two became a pair and Matt revealed to her his secret life. This caused a lot of strain in their relationship, and Karen left to go to Los Angeles where she became an actress. She briefly returned to New York before going on to make pornos. Somewhere along the line, she also became a heroin addict. Years later, she sold Matt’s secret to the Kingpin who went on to destroy Matt’s life. He forgave her and they moved in together in Hell’s Kitchen. Karen left after she discovered that Matt had had an affair with Typhoid Mary, but the two reconciled eventually.
    What went wrong: Well, the last time things went wrong, Karen returned after one final separation and told Matt she had AIDS. This turned out to be an illusion, but no one got to rejoice for very long. Karen dies at the hands of Bullseye (or Kevin Smith…), impaled by Daredevil’s own billy club.

  3. Natasha (Natalia) Romanova aka the Black Widow

    First appearance: Daredevil #80 (in Daredevil; the character first appeared in Tales of Suspense #52 in 1964)
    Creator(s): Stan Lee and Don Rico
    Relationship bio: The Black Widow saved Daredevil’s life in Daredevil #80 and the two eventually entered into both a private and professional partnership. They moved to San Francisco where they shared a house that was also home to Natasha’s driver Ivan (that Matt and Natasha were co-habiting while not being married was quite striking at the time). After their break-up, Matt and Natasha remained close and she continues to make regular appearances in the book. In her most recent appearance during Bendis’s run, she nearly managed to seduce Matt who was separated from his wife Milla at the time.
    What went wrong: Matt and Natasha seemed to have a big “division of labor” problem in their superhero careers. Natasha constantly complained that she didn’t receive the respect she felt she deserved and Matt was indeed being very macho (hey, this was a few decades ago). They finally parted ways as lovers and partners but have remained friends.

  4. Heather Glenn

    First appearance: Daredevil #126
    Creator: Marv Wolfman
    Relationship bio: Heather Glenn was the daughter of industrialist Maxwell Glenn. She met Matt when she just happened to show up in his apartment. A somewhat goofy, fun-loving girl, she managed to intially both annoy and charm Matt who gradually became more and more attached to her. They dated for quite a while and if nothing else, Heather did manage to get Matt to loosen up and she inspired him to set up a legal clinic.
    What went wrong: Heather’s father committed suicide because of the charges against him for crimes committed while he was under the influence of the Purple Man. Heather blamed Matt and also found out that he was Daredevil. While they managed to reconcile to some degree, Heather was not well equipped to handle the knowledge of Matt’s other life and even let the secret slip after an evening of drinking. Foggy and Natasha also meddled in Matt and Heather’s affairs and managed to break up the couple’s engagement. Some time later, Heather committed suicide.

  5. Glorianna O’Breen

    First appearance: Daredevil #205
    Creator: Denny O’Neill
    Relationship bio: Glorianna was the niece of Foggy’s then-wife Debbie Harris and was born and raised in Ireland. She had ties to the IRA. She and Matt gradually became close. She broke up with him via audio tape in a scene reminiscent of the one in which “Heather” (voiced by Colin Farrell’s sister apparently) breaks up with Matt in the Daredevil movie. This took place during the first issue of Born Again. Glorianna went on to date Foggy and disappeared from the comic entirely in the beginning of Nocenti’s run. Glorianna is the only one of Matt’s steady girlfriends to date who never learned that Matt is really Daredevil.
    What went wrong: Glorianna broke up with Matt for being distant and generally troubled. She met her final demise in issue #340 when “Alan Smithee” (D.G. Chichester) decided to kill her off for no apparent reason.

  6. Milla Donovan

    First appearance: Daredevil #41 (vol 2)
    Creator: Brian Michael Bendis
    Relationship bio: Daredevil saved Milla from being hit by a bus, landing both of them on top of each other in a clothing store. Like Matt, Milla Donovan is blind. She is also unique in that she knew that Matt was Daredevil when they started dating. While Matt initially tries to deny this, Milla soon catches him in a lie. The two married during the famous “lost year” in volume 2. Their relationship has hit a lot of rough spots. When Milla suspected that Matt married her while not in his right mind and still getting over the death of Karen Page, she sought to have their marriage annulled. Matt refused to sign the papers and the two eventually reconciled. They enjoyed a brief period of happiness after Matt’s return from Europe during the Brubaker run.
    What went wrong: Milla was poisoned by Mr Fear (Larry Cranston) and gradually driven insane. She is confined to a mental hospital as of Daredevil #105 (vol 2). Her current status and future is uncertain.

  7. ( 6 comments )

    ComicsBlips: vote it up!

Daredevil continuity is relatively uncluttered by paradoxical events and conflicting timelines, but it is not entirely straightforward. The first major complicating factor came in the form of Frank Miller’s mini-series Man Without Fear in the early 90’s. Then there’s the movie to consider. No, movie events rarely enter into canon, but they can make the new fan feel a little confused about the conflicting accounts of a character’s history. So, I’ll slap this post with the Daredevil for beginners label for the benefit of the canonically confused and hope to be able to shed som light on the situation.

Most of the events where the timeline seems to be in question pertain to Matt’s early life. How old was Matt at the time of his accident? How old was he when his father died and just where did he go to college and law school? What about mini-series like Battlin’ Jack Murdock and Daredevil: Father? Are they canon, and who decides? Let’s look at this one event at a time.

All your continuity questions answered under the cut –>

( 9 comments )

ComicsBlips: vote it up!

Billy club time!

by Christine on October 19, 2008 in Character Basics, Guides & Lists, Humor

This is the sequel to The cane and the billy club, which I posted on Wednesday.

Before getting to the specifics of Daredevil’s weapon of choice, I’d like to take you on a little detour to a different comic that few people have ever heard of. For those who don’t know it, I’m Swedish. That means that I have an unhealthy interest in ice hockey and can pronounce all the names of the furniture at IKEA. It also means that I grew up with a children’s comic book called Bamse. Bamse is a cuddly bear who lives with his wife and four children in a peaceful valley and combats evil in his free time with the aid of something called thunder honey, which makes him the strongest bear in the world. Don’t ask me what this is supposed to teach children about the unregulated use of performance-enhancing drugs. Anyway, Bamse’s two best friends are a jittery bunny called Little Hop and a turtle called Shellman (Swedish: Skalman). Shellman is one of those rational turtles who takes his time, but always comes prepared. Whatever he needs, he can just pull out of his shell. I contains the specially built alarm clock he uses to micro-manage his meals and his sleep cycle, as well as some really strange objects which you would never think you’d actually need. I’ve seen him pull inflatable helicopters out of that thing, as well as first aid kits and large tools.

This brings me back to Daredevil. Because early Daredevil actually reminds me of Shellman in a lot of ways. This includes some of the things Stan Lee insisted on shoving into the billy club as well as his whole attitude to the more mundane details of Matt Murdock’s life. Because fans won’t ask how it’s possible for Daredevil to land a rocket in Central Park guided only by the absence of heartbeats (as in Daredevil #2). But they will have questions about where he stashes his civilian clothes when in costume. Right? Consequently, Stan made sure to show us these details from time to time (many of them have been referenced in The life of a superhero category on this blog). In fact, some of the panels showing us the many features of the billy club read like an educational pamphlet aimed at school children. Let’s have a look, shall we?

Well boys and girls, here are the panels from Daredevil #1, by Stan Lee and Bill Everett, in which Matt conceives of the billy club. He takes that 1920’s style cane and “molds it” all night until it looks exactly as it did before, with the exception of a nifty hinge. When you think about it, the whole idea for the billy club seems a little far-fetched. “It’ll be the perfect all-purpose weapon!” Daredevil exclaims, but it does seem a little low-tech, even for the 1960’s. Oddly enough, the use of this kind of weapon seems like a better fit today when there’s a much stronger martial arts element to the character.

During the first few issues, the billy club doesn’t seem to be much more than a cane that folds in the middle and he uses the entire thing as a weapon, as we can see here in Daredevil #2 (artist for issues #2-4 is Joe Orlando). Am I the only one who is reminded of an old woman beating up a couple of thugs with her umbrella? Here, we also learn that it’s a non-conductor, which is great when you’re going up against Electro. It’s also what you would expect from something made of wood. In fact, it should probably catch fire.

In issue #3, below, Daredevil is captured by the Owl and locked in a cage. Once again, his cane/billy club comes to the rescue. It turns out that the pin Matt used to make the hinge is a perfect lock-picking device! If Karen needed a bobby pin to secure her lovely locks, I’m sure he could have pulled one of those out too. Maybe this is the moment Stan Lee decided that this thing could be full of all kinds of stuff. I mean, imagine the possibilities!

In issue #4, below, we set another use for Daredevil’s billy club – the boomerang! You see, it doesn’t just go from straight to folded, it can do something in between as well. Who would have guessed?

The real gem comes later in this issue, however. I’ll let the panels below speak for themselves. For me, Shellman carrying an inflatable helicopter in his shell suddenly comes to mind…

Nothing much happens in the billy club department for the next few issues, until Daredevil #7 (and artist Wally Wood) comes along and brings us a new costume and a grappling hook!

A few pages later we get another happy surprise in the form of a smoke screen! It was easy, thinks Daredevil, “just a few little gas pellets, a control button and presto–” Why you little genius, you! Of course, it doesn’t help much that the smoke screen is behind DD rather than in front of him, but now I’m just nitpicking. Besides, he does sort of swirl it around in the panels following this one, effectively blinding Namor for a few seconds.

In DD #8, below, and to the left, Stan is really getting warmed up. We are shown a schematic of the billy club, and it certainly has a bunch of stuff in it. It’s like the Swiss army version of everyone’s favorite bludgeoning weapon. I’m surprised it doesn’t come with a bottle opener. But we also get to see the famous snoopscope in action right away.

Nothing much happens to the billy club after this, but every now and again we see a flicker of the old “let’s stuff it full of cool stuff” attitude, perhaps in repsonse to the readers who wrote in asking what happened to all the gadgets. Yes, there were plenty of readers who loved the gadgets. I even seem to remember one fan from the letters’ column who wanted to see the microcircuitry hidden on the inside of the mask back, even though it was only featured once, in issue #8. Then again, there were also lots of readers who thought Stilt-Man was the coolest villain ever, so what does that tell you?

Anyway, below are some panels from Daredevil #25 (art by Gene Colan), where we learn that the billy club is battery powered. This really raises the question of just how high-maintenance you want your equipment to be. Can you imagine throwing a gadget full of expensive electronics around and expecting it not to break. In fact, can we get someone to volunteer to start using their cell phone as an assault weapon? If there’s anyone out there who’d like to try, I’d love to hear from you. (Disclaimer: No, I did not just advocate hitting people with cell phones.)

Perhaps this didn’t matter much to Matt, who seemed to really enjoy tinkering with his gadgets. In fact, I think that issue #7 when he reveals that he’s been working on his new costume for months, and stuffed his club full of stuff is when we see him cross the line from concerned citizen who fights crime in his spare time after avenging his father’s death to full-blown superhero geek. We see it all the time in real life. I starts out innocently enough with Dungeons and Dragons, and before you know it, you see people going off to re-enact the Dark Ages and speaking fantasy languages. When you spend more time thinking of new ways to pimp a piece of wood than spending time with friends or reading a good book, you know there’s a problem. I see a definite need for a Superheroes Anonymous here. Hey, maybe that’s what the Avenger’s Mansion was for.

From Daredevil’s monologue above, it does seem as if he has decided that simplicity is the way to go, and we finally see some recovery from gadget addiction here. Be strong, Matty! You can do it!

Okay, this post has run long enough. I was going to end this with the billy club as storage container for dubious nutritional tablets panel, but I can’t remember what issue that was. If anyone out there can find it for me, I’ll add it to this post in an update, because it’s really such a classic. I could have also filled this post with lots of modern billy club moments, but the early days were so crazy, I just ran out of steam. Another time perhaps…

I’ll see you around for random reviews tomorrow!

( 7 comments )

ComicsBlips: vote it up!
A strange post perhaps, but the idea for this one came about in the aftemath of the debate on why Matt apparently subscribes to the print edition of the morning paper and whether this endangers his extremely fragile secret identity. And, since this blog discusses everything and anything Daredevil-related, no matter how obscure, I decided that this topic would be worthy of its own entry.

I have no idea why people have suddenly noticed this since it’s hardly a new phenomenon. All I can say is that it’s been talked about quite a bit on message boards and in the occasional blog post. Maybe it’s the new and returning readers that decided that Daredevil #111 was the perfect jumping on point who have raised a collective eyebrow. Below we’ll look back briefly at Matt’s relationship with the printed page.

However, let’s first examine the question of whether his picking up a regular newspaper on the steps in front of his house is necessarily that suspicious. Are there natural and valid explanations for why a blind person would read a regular newspaper? Yes, as a matter of fact, there are. What he does with that paper is really nobody else’s business, and shouldn’t lead neighbors to call in the Thunderbolts for an SHRA-related arrest. He could hypothetically have someone read it to him, or he could use any of the modern devices that blind people use to access print.

So, the secret identity is safe for now. As for the Daredevilesque ability to read print by touch, it’s definitely one of those “powers” that go back to the early days. It must have become apparent right from the start that having the hero be unable to read in a somewhat traditional fashion would simply be too inconvenient. Coupled with the stigma of Braille that sadly persists to this day, it’s easy to see why early writers decided to highlight Daredevil’s ability to plow through even large amounts of text at high speed. Regular readers of this blog might recall the Wacky powers installment from a while back in which I poked some gentle fun at Stan Lee having Matt read much faster than people who read by sight.

Early speed-reading instances aside, very little has been said about the extent of this ability or Matt’s preferred reading mode. Modern-day common sense would suggest a strong preference for Braille over print for the same reason the average person would prefer not to read faded 4 point type in dim lighting if given a choice, even though most of us certainly could if we had to. One of very few instances of print-reading being described as something of a chore is from the first issue of Frank Miller’s Born Again arc in which Matt goes through his mail, thinking to himself “The embossed [envelopes] are easy, going by the scant impressions of the ink on the others is a pain, this early in the day.”

While any references to reading Braille are still exceedingly rare, Matt’s print-reading ability seems to have been played down some during vol 2. He still does it, obviously, but not quite as often as in the past it seems (to me anyway). Of course, what he does between panels is up to each reader’s imagination, and I suspect that imagination ran wild for many when reading Daredevil #111, for reasons unrelated to Matt’s ability to read print. But that’s for a later post…

Below are some volume 2 examples of Matt Murdock’s multi-layered and complicated relationship with the news media. Now doesn’t this post prove that you can write a Daredevil blog entry around just about any theme? What will I think of next? Stick around and you might find out. ;)

“Bad press,” from issue #33 (vol 2), by Brian Michael Bendis with art by Alex Maleev

“Good press,” from issue #76 (vol2), also by Bendis/Maleev

Matt reading Vanessa Fisk’s obituary in issue #93 (vol 2), by Ed Brubaker and Michael Lark. Quick question: Why does Matt hold the paper up in front of him as if he were sighted, rather than let it rest on the table? Wouldn’t the paper buckle under the strain of the pressure he puts on it? And is this really good for his shoulders? Am I overthinking this?

Matt reading the news in #103 (vol 2), by Brubaker/Lark. Will he ever notice the box in the top right-hand corner where it says “Brubaker ‘old as dirt’ according to panel of judges”?

The final panel of #111 that indirectly inspired this post, showing Matt not quite having absorbed the content on the page yet. Click HERE to see it, I don’t want to spoiler those who haven’t read the latest issue yet.

( 2 comments )

ComicsBlips: vote it up!

You can find tons of funny stuff in the Marvel Universe Handbook. Did you, for instance, know the following?

  1. Matt is not only blind, he apparently doesn’t actually hear all that well either.

    According to the MUH, his hearing threshhold is 7 dB. That of the average human is 0 dB in the most sensitive frequencies (though the MUH says it’s 20 dB, so go figure). Why this has gone uncorrected for three editions of the MUH is beyond me. Maybe they got confused by the human hearing range being 20-20 000 Hz…

  2. Milla has white eyes?!

    Now that’s just gross. I know they’ve been drawn like that a couple of times (ewww), but I’ve never actually heard of anyone being born without pupils or irises. And I’ve seen some pretty freaky things in my day (I used to have a human genetics textbook with enough disturbing images of things gone wrong to almost scare you away from having kids).

  3. Bullseye’s occupation: “Assassin, professional thief; former baseball pitcher, mercenary, extortionist.”

    Question: do you become a professional thief when you can actually make a living “thieving” or when you join the Professional Thieves’ Union? Either way, wouldn’t you just (literally) kill to have his resumé? I wonder what his old guidance counselor would say. 

  4. Distinguishing features.

    This is one of my favorite sections as far as the character profiles go, because they’re quite funny. The Kingpin’s distinguishing feature is given as “bald.” Yeah, that’s it. Is that really the first thing you’d notice about him? Considering he’s 6′7″ (2.0 m) and weighs 450 lbs (200 kg) of solid muscle, his size strikes me as much more of a distinguishing feature, but now I’m just nitpicking. Though body and facial hair appears to be quite common in this category as Melvin Potter is described as “wears a mustache.”

  5. Marital status

    All of the (four) Mr. Fear are single. Who would have guessed? I mean, that mask is such a turn-on. And I love that Starr Saxon’s occupation is listed as “robotocist.” I know that’s sort of a real word and everything ( = someone specializing in robotics), but it still sounds kind of funny. I bet he had a better guidance counselor than Bullseye.

  6. “Zoltan Drago ran a wax museum…

    …and dreamed of creating an army of slaves by causing his sculptures to come to life. While developing a chemical process he thought would make this happen, his thoughts were tainted by the demonic Fear Lord known as the Dweller-in-Darkness, causing him instead to create a gas that induced fear when inhaled.” 

    When you take the origin of Mr. Fear and squeeze it into one paragraph like this, it reminds us all of why we love this kind of stuff. Only in comics I tell you, only in comics…

  7. Foggys full name is Franklin P. Nelson.

    Now what does the P stand for?! Does anybody know? Gloria are you out there? Ah, the frustration! And, in case there was ever any doubt, Foggy’s intelligence rating is the same as Matt’s. But we all knew that already, right?

  8. Here’s the reason the Owl is still single.

    “Distinguishing features: The Owl has occasionally taken on more owl-like characteristics, including eyes able to move independently of each other, a neck able to rotate 180 degrees and the consumption of live rodents.” Damn it, he totally had me up until the part about the rodents…

  9. Karen Page’s resume

    “Radio talk show host; former legal secretary, actress, prostitute, crisis/legal counselor, activist.” She sure had a busy life while it lasted. Too bad heroin addict isn’t an actual job or she could have listed that too. 

  10. The curse of Baby Karen.

    I feel bad for Stick, I really do. He used to be a cool mysterious dude with freaky abilities, now he’s a reincarnated infant (thank you Daredevil: Ninja!). Though you can’t beat his list of occupations: “Leader of the Chaste, sensei, pool hustler.” Sadly, I suspect being a pool hustler pays more money than being leader of the Chaste, though the latter might have a better retirement plan.

  11. So how tall are Stilt-Man’s stilts anyway?

    I bet you really want to know. Well, fret not, the MUH has the answer. “Height: 5′6″; (with battlesuit) maximum of 292′.” For those of you who, like me, use the perfectly logical metric system, that’s 89 m. Hmm, that’s actually pretty high. I’d hate to fall from that height. I also love this paragraph

    “In addition to his armor, the Stilt-Man has used various other weapons during his career, including gas grenades, charged-particle beam blasters, a vacuum device to pull money and jewelry from victims, and a “Z-ray” weapon that could teleport people to another planet and possibly perform other functions.”

    Wait a second here. He had a weapon that could teleport people to other planets and he still kept working the stilts as his unique selling point as a villain. How stupid can you get? He should have gotten an agent.

  12. Turk

    “Education: high school drop-out.” Now that’s a shocker. Stay in school kids!

  13. Twisted childhoods, the case of Typhoid Mary.

    Wow, I suddenly feel so normal:

    “The exact history of Mary remains uncertain. By some accounts she has possessed two personalities since infancy, and has claimed to remember hearing the screaming of her parents in utero.”

  14. Ben Urich.

    “Superhuman powers: None. Ben Urich is an experienced reporter and writer. He is in reasonably fit physical condition for a chain smoker of his age.” I wonder what that means exactly. I mean, just how bad is his emphysema at this point?

Well, that’s it! I hope you enjoyed this little tour through the MUH with me! :)

( 7 comments )

ComicsBlips: vote it up!

There are a few common misperceptions about Daredevil that tend to bother me. One is the idea some fans hold that he’s a “devout Catholic.” Outside of the movie and Kevin Smith’s brief run, Matt has never actually been portrayed as a regular church-goer, or even as particularly religious. Sure, he was raised in an Irish Catholic environment, but in most ways Matt is your typical urban secular yuppie (his other “job” aside).

Another myth is that he sleeps around a lot. This one has been repeated so many times that it’s become “true,” even though Matt hasn’t actually been with that many women. In fact, he’s the definition of a serial monogamist. People who are long-time readers of the comic will know this. People who are not, or who have read only certain runs might tend to buy into this myth because it’s been repeated often enough. It doesn’t help that some writers, like the above mentioned Kevin Smith, have added to and helped spread this myth. I also wonder how Matt manages to be both a “pussy hound” (pardon the NC-17 langauge), to borrow Smith’s words, and a devout Catholic at the same time.

The third “myth,” the one I’m addressing in this post, is the one that has been the most pervasive, in part because it has actively been added to by many – if not most – Daredevil writers, though they may not have done so knowingly. It’s the one that reinforces the belief that “Daredevil can ’see’ better than any sighted man,” “his other senses more than compensate for his blindness,” “DD isn’t really blind/disabled/ handicapped/whatever,” and so on. Anyone who knows me, knows that this is one of my major pet peeves when it comes to people’s view of the character (I don’t particularly care whether anyone thinks it’s an important part of the character, it’s just that any version of the above makes me want to slam my head against my desk). Since I regularly search the Internet for any discussions related to Daredevil, using search engines like Boardreader.com, I can tell you that statements like those mentioned above actually do come up quite frequently. They bother me for the same reason it bothers me to watch the Jaywalking segment on the Tonight Show when some random idiot claims that the United States fought Great Britain in World War II and that the war took place in the 60’s. They bother me because this kind of flawed reasoning is uninformed and just plain uninsightful.

But if so many of the writers themselves are guilty of perpetuating this idea, what gives me the right to go against many of the greats who have worked on the book and call this a flat-out myth? Well, good ol’ common sense does. That’s all it takes really. Before letting this topic go, and getting it off my chest once and for all, I would like to take a thorough look at this issue and really get to the bottom of it. My belief is that the two main sources of “error” here are 1) a mistaken view of what a disability is and what it isn’t, and 2) the highly questionable notion that perceiving shapes equals good vision. Let’s take a look…

Myth: Disabilities are by their very nature obvious, highly damaging and necessarily impact every aspect of a person’s life.

Anyone who subscribes to this idea will take one quick look at Matt Murdock and all his extraordinary abilities and simply decide that he doesn’t fit their view of what a person with a disability looks like. The fact that he has actual superpowers (though I’ve noticed some fans are uncomfortable with this idea and prefer to just call them heightened senses) adds to make the whole idea of a “disabled superhero” seem like an impossible contradiction. His whole physiology actually makes him better at many things and gives him access to perceptions that lie far beyond that of the average human. How can someone who can double as a human lie detector and perceive an attack from every angle be disabled? Well, to answer this, let’s begin by sorting out the definitions…

The World Health Organization gives us one (there are several) definition for the related terms impairment, disability, and handicap. An impairment is basically an abnormality of some bodily structure or function. A disability might be said to be the consequences or physical manifestations of the impairment, and a handicap is the disadvantage that the person with the disability faces when the demands of the environment are at odds with said disability. For instance, an inability to walk is a disability that results from an impairment (let’s say a spinal cord injury) and which may or may not constitute a handicap at any given time. If there were no stairs in the world and all surfaces were completely flat, this kind of disability would rarely constitute a significant handicap. This is an important point to make, because the consequences of a disability can actually be very context-dependent, and may not be the least bit limiting in one situation while being much more so in some other situation. There are lots of examples of people with various disabilites who perform much better than the human norm in some areas where their specific disability is not a factor. Examples of this include Marla Runyan, legally blind U.S. olympian and long-distance runner who was once the highest ranked female marathon runner in the country, and Terrance Parkins, a South African deaf swimmer who won a silver medal at the 2000 Olympics.

The people mentioned above obviously don’t have any superpowers, but the point here is that a disability is not necessarily always either relevant or detrimental to the completion of a certain task. It depends entirely on the nature of the particular disability and on the situation. The fact that Daredevil has powers and abilities that allow him to fight with greater skill and accuracy than might be humanly possible, and to detect certain things that others cannot, does not actually make him “not disabled.” So long as his radar sense and other heightened senses do not fully replace all functions of normal vision, this will always be true. Which brings me to…

Myth: Having a radar sense and heightened senses of touch, smell, hearing and taste compensate completely for being totally blind.

When you go back to the basics, that is the actual comic itself and sources like the Marvel Universe Handbook, Daredevil’s powers, while somewhat sketchy, are pretty basic: four senses heightened far beyond the human norm, except for sight, and a radar sense. The story on the radar sense has always been that it gives Daredevil a 360 degree three-dimensional “view” of his surroundings. So that’s pretty much like seeing, only better, right? Uhm, not exactly…

I buy that the radar gives him an edge in combat. In fact, I’ve always found Daredevil to be a higly believable superhero. However, none of his senses come even close to compensating for Matt’s most obvious (and not so minor) disability, which is the fact that he’s 100% color blind. He gets a three-dimensional view of his surroundings, but that’s all he gets. What I mean by that is that he misses everything that is rendered exclusively in two dimensions. Everything color-coded, everything written, everything displayed on a screen, and everything light-based.

For those who would shrug this off as being merely an issue of esthetics, I would suggest the following experiment: The next time you go to the store, imagine that everything is the same color and watch the incidental visual information that most of us take for granted disappear. That includes every single sign, all of those “2 for 1″ deals they have advertised, the newspaper headlines, the names of every single product on every shelf. It’s all shapes. Of course, fell free to add in sounds and scents. Pretending you’re Matt Murdock for a second, you can most likely identify each section of the supermarket by scent and, to a certain degree, by shape. The cereal isle, for instance, is full of generic shapes that might smell different when you get close enough – though keep in mind that scents always blend together – and you can touch the box to read it. But, you cannot visually scan for anything. For the average person, it would take mere seconds to pick out the cheapest brand on the shelf. If your only means of doing this is by touch, it will take you a whole lot longer and since most pricing information is hidden under a thick layer of plastic, it might even be impossible. Well, unless you have one of those universal bar code scanners. I’m not saying that this is necessarily a big deal, but it is clearly an inconvenience.

At this point, someone might say that a highly acute sense of smell compensates when it comes to shopping for food, but let’s take this experiment to another location. Let’s go to the book store or the computer store. Say you’re shopping for a new ethernet cable for your modem. You enter the store and all you get is various shapes, the smell of plastic and signs you can’t read. Okay, well let’s say you walk through each aisle until you find the area where all of the cords and cables are kept (and these types of packages tend to have distinctive shapes, so I’ll buy that). Now what? Well, what kind of cable do you want? How long should it be? What brand? What other specific information are you not seeing? Go ahead and touch each label, and that will give you the information you need. However, if you could easily read things without touching them you would probably approach this task by quickly scanning the supply, identifying first where the ethernet cables are (and not the firewire, phone or USB cables…) and then quickly narrow down your selection from there to first brand and then length. This would take a fraction of the time it would take if you had to do it by touch. The “can only read what you’re physically touching” issue becomes even more of a problem in a bookstore, where not even the shapes are distinctive…

…which brings me to reading generally. If you can read everything (printed) by touch, then quickly searching for written information should be a snap, right? That’s another no. What do you do when you read the paper? Do you start in one corner and then read the whole thing until you’re finished. If you’re like me, you open it up, look at the page for a couple of seconds at the most and decide if there’s anything you want to read. Heck, it may even be covered by one big fat ad. So, you flip the page if there’s nothing on it that interests you. Because the advantage of vision over touch here is enormous. Vision lets you take in all that information in no time because you can process so much simultaneously. This issue becomes even more obvious if you imagine that you’re looking something up in the phone book. Visual scanning is insanely fast compared to having to stop to touch the page.

These are just a handful of examples that all illustrate my main point, which is that vision consists of much more than only detecting shapes, and that an inability to perceive two-dimensional visual information should justifiably be considered a disability, regardless of what other abilities a person might have. So, when Matt opened up to Elektra and told her about his powers, adding “my other senses more than compensate,” I wonder if he felt the same way an hour later sitting in class in front of a black board he couldn’t read.

It is interesting to note that the writers who have gone the farthest in really trying to describe Daredevil’s enhanced senses are the ones who have been the best at reminding the reader that the hero is also blind. I don’t think this is a coincidence. When you really try to get inside his head, you realize the immense powers of his world. You also quickly realize the limitations. Yes, oftentimes Daredevil’s senses do more than compensate for his blindness, sometimes going far beyond the human norm. But to suggest that they always compensate is a logical fallacy of major proportions. And, if you ask me, doing so even cheapens the character. It allows Marvel to have their disability cake and eat it too. They can milk the “Daredevil is special because he’s handicapped” premise for all they’re worth, but as long as they refuse to actually touch it with a ten-foot pole, it all sounds a little hollow to me.

I touched on some of these points in a previous post as well, but part of the reason for bringing them up again here, aside from getting this out of my system once and for all, was some of the answers I got when I asked comic readers who are not fans of the character what they didn’t like about him. I will get back to all the answers I got in a later post (this was on Newsarama and Comic Book Resources, by the way), but at least two or three people pointed to some version of “you can’t even tell he’s blind” as one of the reasons they found Daredevil to be less interesting than his basic premise would suggest. I thought that was interesting, but I wasn’t surprised. I’ve stated before that I think this is a weakness in how the character has been portrayed, and I know I’m not the only one. Fortunately, Brubaker has, in my opinion, performed the best of any writer ever in this department, and I believe that we will see a more nuanced and modern take on Daredevil’s abilities in the years to come.

( 9 comments )

ComicsBlips: vote it up!
Commentary icon

Against all odds

by Christine on May 6, 2008 in Character Basics, Commentary

This is the final part to the series The appeal of Daredevil

Do you remember that incredibly annoying song called Tubthumping, by Chumbawamba (was that their only hit, by the way?). In case you forgot, you can look it up on YouTube. I’d have to warn you though, it really gets stuck in your head. Anyway, there are a few lines in that song – repeated over and over – that perfectly describe Matt Murdock’s life:

I get knocked down
But I get up again
You’re never going to
Keep me down

Even before donning the Daredevil costume, Matt had led one of those lives that would earn you a special feature in the human interest section of the newspaper. Just imagine the story that could be written about the child of a single father (with a questionable employment history) who is bullied by the other kids at school for being a good student and refusing to fight. He then saves somebody’s life in an act of heroism and is punished for his good deed by being hit in the face with radioactive toxins. He loses his sight, yet manages to make an impressive comeback and get into college, then law school and finally graduate at the top of his class. However, just before graduation, his father is murdered for refusing to throw a fight – a final act of defiance to make his son proud. Matt’s story is definitely a complete tear-jerker, there’s no doubt about that.

Of course, that’s only half the story. However, the full story doesn’t necessarily make it any less impressive. While Daredevil is endowed with special powers, he’s a fighter who relies much more on skill and perseverance than most. He’s disciplined because he has to be. He doesn’t have super-human strength or speed, but has had to physically train his body to extreme levels. Even getting the best use out of the senses that take him from human to superhuman takes dedication and focus. And despite his best efforts, he does get knocked down from time to time. Both mentally, from losing people around him and being constantly pushed to his limit, and physically. Daredevil is a hero for whom cuts, bruises and broken ribs are part of the package. It’s the risk he takes for often going up against enemies he knows are more powerful physically. Yet, he does so anyway. Just like he always gets back up again everytime he’s knocked down.

Daredevil’s “never give up” underdog quality is perhaps the most universally appealing aspect of the character. He’s low-powered enough that the risks he takes doing what he does are really enormous. His skills and enhanced senses give him quite an edge in combat situations, but a direct blow to any part of his body would hurt him as much as anyone else. And, while most of what we associate with the character today dates back to the Miller era, this aspect dates back to the very beginning. It is already clearly evident in Daredevil’s battle with Namor in issue #7 (which I otherwise happen to think is wildly overrated…). Just take a look at this scene from the “archives”:


Just as an aside, but doesn’t DD look incredibly cute in this last panel? Those horns look like little ears and I just feel myself getting a little maternal here (this is how you tell the female fans from the male fans, by the way…).

Another example of Daredevil refusing to give up is in the classic #169 by Frank Miller, when Daredevil battles Bullseye in the subway, as shown here. In this sequence, Daredevil willingly and knowingly follows Bullseye into an environment he is ill-equipped to handle. His senses are completely taken out of commission, yet he struggles on, manages to get a hold of his enemy and finally subdues him, even with the odds massively stacked against him. In the end, when he stands triumphant, Daredevil thinks to himself: “I told you once Bullseye… A long time ago… I never give up… That’s why… I’ll always beat you…”

While the events following the Elektra saga and then Born Again were not the first examples of Matt being in a dark place psychologically (he was even written as bordeline depressed in some of Gerry Conway’s early issues while still dealing with Karen leaving him), they are probably the most famous. Below are three scenes from Born Again, showing Matt being first down (issue #227), then completely nuts (issue #228), and then restored (issue #233). At the end of Born Again, Matt has lost a great deal (such as his home and his license to practice law), but he still manages to come out on top in the end with Karen at his side and a newfound love of life.

“Dust… The dust is thick… could choke on it… There’s nothing left. So you know. So that’s why. I never would have connected it to you. Nothing about it said gangster until this. It was a nice piece of work, Kingpin. You shouldn’t have signed it.”

(I always found this scene particularly unsettling. At first you think he’s actually having a conversation with Foggy, until you realize he’s talking to a recording, and the revelation of how out of touch Matt really is begins to hit home. Very creepy…)

“My name is Matt Murdock. I was blinded by radiation. My remaining senses function with superhuman sharpness. I live in Hell’s Kitchen and do my best to keep it clean. That’s all you need to know.”

Most Daredevil readers like to see Matt beat the odds, and come back up after he’s been knocked down – physically or emotionally. But sometimes when I read what fans have to say about the book and the character I get the feeling that people are forgetting about the necessary triumph at the end of it all. Seeing Matt down and at his wits end is only meaningful when you know that he’ll be able to get back up again, and I can’t help feeling nostalgic for the older issues when he was occasionally allowed a breather and didn’t constantly have his back against the wall.

I really don’t have that much more to say on this particular topic, it’s almost too big (so, sorry for the sudden end to this post). Instead, I’d like to ask readers’ opinions on some favorite moments of Matt either being at his lowest or highest. Comment away!

( 4 comments )

ComicsBlips: vote it up!

This is my second post on the appeal of Daredevil. See the end of the post for other entries in this series.

Daredevil may be the only superhero who is more famous for what he can’t do (see), than what he can do. The Wikipedia article on Daredevil states within the very first paragraph: “… and is notable as being among the few superheroes with a disability…” Before going on, I’d like to quote what Joe Quesada said in part 3 of the One More Day interviews on Comic Book Resources, and give my own comments below:

“Let’s look at Daredevil and let’s make this simple, because in the case of DD as a character, it is. Matt Murdock has an incredible past, a tragic yet uplifting one. “What makes DD different than any other hero, however, is that he’s handicapped. He has gone through all that he has gone through and he’s managed to triumph over all of it while being blind.This is the one thing that makes DD truly special and stand out. Now, what if we were to give Matt his eyesight back permanently in a way that would be difficult to retcon? Sure, DD would still be somewhat cool, but not nearly as interesting or different as he is being blind. Ultimately, I don’t think people would stick around to read the ongoing stories of a sighted Daredevil because giving him his sight back just makes him another grim and gritty hero with very little else to differentiate him.”

Aside from the fact that Joe Quesada brought this up to make a comparison between Daredevil’s blindness and Spider-man’s marriage(!), does he have a point? Is being blind what makes Daredevil unique and is it true that people wouldn’t stick around to read about him if he were sighted?

I’d be the first to admit that I find the basic premise of Daredevil to be incredibly appealing. It makes him exotic, and it adds a big touch of humanity. There’s also something inherently intriguing about a character who can dodge bullets but can’t read a text message on his cell phone (well, he could get some software that takes care of that, but you know what I mean). However, I think people who reduce the character to this one thing are missing a big part of the picture. They also overestimate the importance that most writers have given to Daredevil’s most famous quirk. It’s a great gimmick – I would even say that the book probably survived its first one hundred issues thanks to this gimmick – and it does make the character stand out. For the most part, however, it’s been treated as little more than just that – a gimmick.

People may pick up the book because they like the basic concept, but they probably find other reasons to stick around. With Matt Murdock being such a generally compelling character, and with all the excellent stories that have been told about him, there are plenty of other hooks to keep the the readers’ attention. For some of those who are picking up the book for the first time, the idea of the blind superhero is probably a big part of the appeal. For the fans of the book, this aspect probably ranges from “important” to “nearly irrelevant,” depending on who you ask (although I suspect even the latter group would be a little annoyed should he be given his sight back permanently).

Because, at the end of the day, Joe Quesada’s quote is also a bit disingenuous. He’s talking about Matt Murdock being successful in spite of his disability when we have never actually seen this issue dealt with in any significant way. In fact, it’s been reduced to such a non-issue that many fans question the very idea that Matt is even disabled. I would even go out on a limb here and say that the way Quesada (above) and Stan Lee talk about how “Daredevil is such a great hero because he’s handicapped,” goes against whatever policies have governed how the character has been portrayed for the last 40+ years. While many writers have made extensive metaphorical use of Daredevil’s blindness (evident in issues bearing such names as “The Blindness Men Wish For,” “Blind Spots, and “Blind Man’s Bluff”), any real consequences of not having normal vision have usually been denied. Perhaps to make the character live up to the old adage “my other senses more than compensate,” regardless of whether this assertion makes sense or not, or maybe because writers have found it too inconvenient to portray Matt’s actual limitations in any sort of realistic way. (For those who question my desire for realism in comics, I should also add that I find the fact that Wolverine can regenerate his body from a pile of bones to be somewhat annoying.)

The instances of writers having Matt in any way acknowledge that being blind might be something of an occasional nuisance (yes, even with his heightened senses and nifty radar) are few and far in between, but they do exist. Denny O’Neill had Matt express what could only be described as frustration on a couple of occasions when faced with situations where his senses weren’t enough. Gerry Conway shocked the socks off readers – as evidenced by the comments on the letters page – by introducing the idea that Matt actually misses his sight every once in a while (holy cow!).

“I was in my secret identity — as Matt Murdock, first class attorney — when I met Chuckie. The secret identity can be a relief, Bullseye. When I’m Murdock, I don’t have to use my amplified senses to pretend I’m not blind.”

And, in Roulette (#191), by Frank Miller, Daredevil tells Bullseye “I was in my secret identity — as Matt Murdock, first class attorney — when I met Chuckie. The secret identity can be a relief, Bullseye. When I’m Murdock, I don’t have to use my amplified senses to pretend I’m not blind.” This, for me, is a much more mature handling of this aspect of the character than Stan Lee’s Matt, who would drop such lines as “I can color-coordinate my wardrobe better than any sighted man!” on every page. Okay, I made that last one up, but there was a definite pattern going on. My question for Stan would be: if the hero’s blindness must be rendered completely irrelevant at all cost, what was the point of making him blind in the first place?

I once read a comment on a message board by a poster who said that the biggest problem with Daredevil as a character was that his powers were so good it was almost as if he could see, making his blindness irrelevant. I would say that the flaw he’s pointing to has less to do with Daredevil’s powers – as long as they aren’t pumped up to ridiculous extremes – but to the failure on behalf of some writers to realize or acknowledge that they don’t actually fully replace normal human vision. But I agree with this poster to the extent that I would have like to see a more realistic handling of this aspect of the character. That doesn’t mean what some people might think it means. I’m not talking about swapping the superheroics for a deep look at the “plight” of the blind. In fact, there’s not a single one of all the great stories told about this character that couldn’t have been told while being as respectful of Daredevil’s disability as of his “super-abilities.” The kind of difference I would have liked to see would have been a subtle one, but it would have made the character even more compelling, as I see it.

Needless to say, I find Daredevil’s blindness to be a big part of his appeal for me – regardless of how it is actually portrayed. Even more so when combined with his other senses. It’s like he lives in his own separate world that is at once both bigger and smaller – both “better” and “worse”- than everyone else’s. There are lots of experiences that he can’t fully share with other people, and at the same time he has access to other things that the average person can’t even imagine. It’s just interesting stuff.

Would I keep reading the book if Matt got his sight back? Yes, I would. That’s not to say that Quesada doesn’t at least have one point. While being blind isn’t really what Daredevil is all about, it certainly adds to what makes him unique.

Related post

( 2 comments )

ComicsBlips: vote it up!
Page 1 of 212