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Blindness/disability

We all know that Matt Murdock has an arsenal of abilities and tricks up his sleeve which make it possible for him to do things us mere mortals cannot. Because of his heightened senses, he not only functions believably (well, sort of) as a superhero, but manages to compensate for his lack of sight in many ways. However, in the absence of normal vision – which the colorless and generally enigmatic radar sense does not provide – there are certain tasks which Matt would approach in about the same way as a non-powered blind person. If you’ve read this far and find yourself thinking “Wait just a minute now, Daredevil can see better than all of us!” you need to go read my old post “My other senses more than compensate” where you will be proven wrong. ;)

At the end of the day, most fans would probably agree that Matt would (and should) have problems with all kinds of screens, displays or exclusively visual indicators. In fact, any and all information rendered exclusively visually and in two-dimensions (with the exception of print, provided he is close enough to touch it) lie beyond what his senses can decipher. In the real world, the blind use a wide range of assistive technology to access information or accomplish tasks for which eyesight is otherwise necessary. Many of these tools and gadgets would probably just gather dust in Matt Murdock’s closet since he gets by without them. However, there are many devices that should have a place in the Daredevil comic, if only as background elements to create a better sense of realism in the book.

In this post, I will be looking at the few instances of any kind of assistive device being featured in the Daredevil comic, and use them as examples of how to do it right. Most of these examples are from volume two, hopefully a sign that including pieces of technology that most readers would probably think of as being pretty cool, is increasingly being viewed a positive addition to how Daredevil stories are told rather than the sign of weakness many writers seemed to have feared in decades past.

Read more under the cut –>

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Okay, you’ve got to admit that the title of this post had you intrigued. First of all, the part about the blind sex has nothing to do with Daredevil Noir. Unless Alex Irvine has included something about Matt having sex in his four-issue mini series. Anyway, that’s not something I would know anything about. All I know is that there’s a Daredevil Noir #1 preview here and an interview with writer Alex Irvine here, both from Comic Book Resources.

Okay, now that that’s covered, let’s move on to the real reason Dakota found Matt so irresistible. Apparently, she’s bought into the same myth that fueled this report (dated April 1): That blind people are insanely good in bed. We can only wonder if the experience lived up to her expectations. Thanks to my friend and fellow fan Alice for sending me this!

Blindness and Sexuality:
Researching Myths and Facts Summary Report:
Distributed by: National Data Distribution Center (NDDC)
April 1, 2009, Atlanta Georgia

The two hundredth anniversary of the birth of Louis Braille is being celebrated by the US mint with the production of a silver coin commemorating the man who created the modern reading system used by many blind people. Unfortunately, although blind people work and live normal lives, they are still different in many ways and their experiences are a matter of curiosity amongst the sighted population. For most of us, the question, “What is it like to be blind?,” has entered our minds more than once.

Research, some of it useful and much of it not, about how people who are blind perceive the world, abounds. One of the more interesting topics of study is sexuality among the blind. The story goes that blind people are incredible sexual partners–somehow being extremely sensitive to their partners and, being able to stimulate them far more than the average person.

Masters and Johnson were so intrigued by this subject that they collected data over several years from those who had had sex with blind people. Surprisingly, what they thought would be myths, turned out to be true. The results were stunning. On average, women rated their blind partners 9.1 on a scale of 10. The average rating was five for sighted partners.

“This research has been duplicated several times,” says Mary Roach, author of 2008 best seller Bonk: the Curious Coupling of Science and Sex. The data hasn’t attracted much attention because blindness is such a low incidence event. “We usually print things that have broad interest. And, even though this indicates that blind people are incredibly sexual, there aren’t really enough of them to go around.”

Comments from sighted partners were astounding. “He seemed like he knew my soul,” from a 23 year old female. “Her tongue knew just how to touch every part of me if you know what I mean,” from a college male. One woman commented, “The things he could do with his fingers were beyond description,” in this survey. “It’s not that he was built bigger than other men, it just seemed like he touched me inside with it all over,” she said with a shy smile.

When William Masters was asked, in a 1971 interview, why he didn’t draw more attention to these findings he said, “I didn’t know anything about blindness. We were publishing information of general interest about sexuality and this just didn’t fit that mold. Perhaps some day researchers will help us understand why blind people have such incredible sexual capacities and we’ll be able to use that information to increase the abilities of others. Until then, a very few lucky men and women will experience the phenomena of sex with a blind person.”

There is a downside to this research. When interviewed, blind people generally expressed frustration about sexuality. Broadly speaking, they divided sighted people into three groups. First is the group who simply want to have sex with them for the thrill and experience of it. “We feel used,” was the most common thing reported. Second, was the group who simply couldn’t see themselves with a blind husband or wife. “They want to be with us, but don’t see us as fathers and mothers, for example,” was often heard. The third group were those who “get it” as one blind man put it. “They can see beyond blindness and accept us for who we are. Blindness just fades into the background and becomes another characteristic. “

The sad truth is that although blind people work, raise families, travel independently and generally speaking, live normal lives, the public perception is the opposite. The image of the helpless beggar still lurks in our minds. Sighted people report that the fear of blindness overwelms their rationality. “I know that I shouldn’t let blindness interfere with how I think about my partner, but, I can’t help it,” said a young college student engaged to a blind physicist working at NASA. “Yes, he has money, and yes, he’s sexy, and oh, my god, can he please me, if you know what I mean. The hardest thing is getting over this image of him as a helpless blind man. We sail, bike ride and horse back ride. I can’t think of anything he can’t do except drive, but, I’ll admit, the image of a helpless blind man still haunts me. People look at him with such pity and I just want to scream, ‘You don’t get it you fools.’” But she admits that making the decision to marry is difficult.

Chad, a young blind college student says he finds the whole sex thing a bit distracting. “Sure I can please women more than my sighted friends can, and frankly, it’s because they just don’t pay attention to women and what their bodies and hearts are saying. Women will tell you everything you need to know if you just listen and feel.”

We give you all of this information with the caveat that perhaps only one in six thousand people is an eligible blind man or woman, so, happy searching.

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News icon

Daredevil roundup

by Christine on March 23, 2009 in Daredevil News, Recommended Links

Updated: Okay, the top news item right now has got to be the Diggle interview on Marvel.com.

Hey there true believers! There’s been a lot of DD talk around the Internet recently, for obvious reasons, and I thought I’d link to some of the news here, along with other funny or newsworthy stuff I’ve found.

First, because it’s somewhat Daredevil-related, I just have to mention a hilarious post I found on Silver Age Comics (one of those super popular blogs that actually links here, thanks guys!) called Differently Abled. It talks about a story from Flash #133, published in 1963 by the “Distinguished Competition,” in which the Flash makes a visit to a camp for handicapped children. Now there’s some cringe-worthy inspiration for ya! I’m also wondering if the blind kid’s cane was the model for Matt Murdock’s since they both appear to have been made in the 1920’s. His senses are also suspiciously acute: “Harry Watkins is blind but his hearing has become amazingly sharp…” Wait, did Stan Lee read this issue, it being published the year before the debut of a certain super-sensed blind lawyer? Hmm…

A more serious post that has nothing at all to do with Daredevil was Death of the Legacy Character by The Weekly Crisis’s Eric Rupe. I’ve never been a big fan of legacy characters generally and I think that might be one of the reasons I still have no desire to get into DC comics (despite being raised on Superman). In my mind, books featuring legacy characters necessarily focus more on the hero persona, making the person behind the mask less relevant. What I like about superhero comics in general is the tension between the life behind the mask and the life without the mask, so I will always favor those books in which the main character’s civilian life gets a lot of attention as well. Either way, it was a well-written and very interesting post.

Then there’s of course all the talk about Daredevil turning 500 issues and Andy Diggle taking over the book. Here are some links to various comments around the blogosphere: Comicology, Panels of Awesome!, Comic by Comic, Newsarama and Comic Book Resources.

Okay, that’s it! Now I’m heading back to bed for a while since I’m home sick today. “Sick?” you ask, “but she’s sitting here blogging, she should be at work!” Well, I’m sick enough to need to bring a roll of toilet paper everywhere I go because my nose is so runny, so there you go. And speaking of blowing check out this post. It’s just so wrong…

See you later!

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Daredevil, the dyslexic superhero?

by Christine on December 28, 2008 in Blindness & Disability, Humor

Okay, so this might be a silly post, but I thought I’d like to share it with you guys anyway. Yesterday, when I went through all my volume 2 hardcovers in search of some juicy comic book panels, I also came across the one below from Daredevil #46. This is a rather sweet scene of Milla receiving flowers from Matt in the wake of the date they had that ended with Matt being hauled off to a police station to be questioned for Rosenthal’s murder. Nothing says “Sorry I got hauled off to jail, and we didn’t get to do the deed” like a bouquet of flowers, right?

Along with the flowers is a note in Braille, and being the curious person that I am, I decided to try to figure out what it says. I was expecting something sweet and memorable. I wasn’t expecting the following:

kbkbkfbk
dnjfnkfmbj
hbjbkgfkjnaok

Wow… Gosh, Murdock. You really know what women want to hear, don’t you? I can just imagine Milla sitting there thinking “Okay, so he’s illiterate, but I need to remember he’s really hot. Very, very hot. And a superhero. Oh, and he’s a lawyer too. Wait a minute… How the hell did he make it through law school?”

For a brief intro on Braille, I suggest instead the following links that I found somewhat enlightening:

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Night blindness, the inability to see in dim lighting, is a fairly common symptom of degenerative retinal diseases such as retinitis pigmentosa. But did you ever hear of “day blindness”? This is the strange condition of Dr. Mid-Nite, a golden age DC character, who predated Daredevil by two decades to become the first blind superhero. Ironically, there’s of course also a sighted golden age superhero by the name of Daredevil, so I guess I’ll have to get to him too at some point.

Involved in a strange explosion when called upon to examine a mob informant by the name of Brown, accomplished physician Charles McNider is struck blind. Through a strange chain of events he later realizes that he is now able to see in complete darkness, while being totally blind when light is present. Does that sound strange to you? Yeah, me too.

Either way, being the smart scientist that he is, he whips up some groovy-looking goggles for himself that appear to be the reverse of night vision goggles. You know, ’cause he can see in the dark, but not in the light and all that. He then goes on to do what any reasonable person in his position would do – he decides to go out and fight crime protected by the same darkness which allows him to see, but puts the baddies at a disadvantage. Not dark enough? No problem, since there is always “blackout bombs” which he can use to block out the light for his opponents. Am I the only one who is reminded by Daredevil’s smoke screen? You know, the one he used against Namor…

Aside from being able to take advantage of the darkness, Dr. Mid-Nite has something else in common with our very own Daredevil. Dr. Mid-Night focuses primarily on street-level and organized crime, rarely encountering costumed foes. While silver and bronze age Daredevil generally fought other costumes, the modern character, since Miller and onwards, has undoubtedly fallen into the same vein as his blind predecessor.

What sets them apart, aside from their sense of fashion, is primarily how their abilities work. With his rigorous physical training, heightened senses and radar sense, Daredevil is clearly the more powerful fighter. Dr. Mid-Nite is really only at an advantage when his opponents see less than he does and is consequently much less versatile. On the other hand, and rather ironically, Daredvil is always blind. While most characters in the “superhero with disability” category either escape their physical predicament when powering up (i.e. when Donald Blake becomes Thor) or rely on some sort of equipment to render it completely inconsequential (i.e. Dr Mid-Nite or any character that sports a prosthetic more powerful than the original missing limb), Daredevil is not so lucky. Aside from his powerful and largely – though not entirely – compensatory senses, Matt Murdock doesn’t get the benefit of an easy fix.

I know there are people out there who find Matt’s radar sense to be something of a cop-out. All I can say is, be glad he doesn’t have day vision goggles. Not only would he be less interesting as a character, he’d probably make Leap-Frog look cool by comparison…

For those who want to read more about Dr. Mid-Nite, I recommend his Wikipedia page.

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Today is White Cane Day, which, in all honesty, isn’t something I would have known if I hadn’t stumbled across a reference to it in the paper about a year ago. Either way, I thought I’d take the opportunity to write two longish posts. The first one, appropriately posted today, on October 15, will look at the history of the white cane and its use (yes, I did my homework, and this post might actually offer an opportunity for learning something, for which I offer my profuse apologies), as well as how it’s been depicted in the Daredevil comic.

Later in the week, I will look at the billy club and its gadgets. That post will probably be quite a bit shorter since, early tampering aside, it hasn’t really changed all that much over the last forty years and doesn’t need its own history lesson. The cane, on the other hand, has been here there and everywhere. And, on average, about three decades behind its real life counterpart at any given time, the notable exception being most of volume 2, probably thanks to the ease with which anyone can now do basic research on the Internet. That’s not to say that writers and artists shouldn’t do more research, but I digress.

Before getting started, I should probably mention that I’m pretty sure that it’s now generally established over at Marvel editorial that the cane and the billy club are no longer the same object, despite the assertion in sources such as the Marvel Universe Handbook that still claim that the billy club is “disguised as a blind man’s cane in civilian garb.” No one has ever come out and said this is no longer the case, but not only have we not seen one turn into the other in the pages of Daredevil for the last decade, we also have artists (most notably Michael Lark) who are now drawing a modern white cane, and it is clear that they are nothing alike. A white cane is supposed to be long, slender and light-weight (and made out of either aluminum, fiberglass or carbon fiber), whereas a billy club is used to inflict blunt force trauma. You get my drift.

The modern white cane has two basic purposes. The first, and most obvious, is as a mobility tool. In other words, it works as a low-resolution scanning device to locate obstacles and landmarks. It also serves to identify the user as being visually impaired. It was this second reason that prompted the supposed inventor of the white cane, a blinded man from Bristol, to paint his cane white in 1921. He simply felt that he wasn’t visible enough and didn’t feel safe crossing the street near his home. This innovation caught on, and the practice spread throughout large parts of the world in the 30’s and 40’s. However, the white color aside, these canes were usually indistinguishable from a regular support cane and provided few benefits to their users. The situation was further complicated by the fact that many agencies for the blind were against the use of the white cane, primarily due to the stigma attached.

The modern white cane, or the long cane, is a product of World War II. War is never pretty, but WWII did usher in a new era in rehabilitation medicine when large numbers of injured soldiers returned home. It is easily forgotten today, when stories of paraplegics entering Iron Man competitions almost seem commonplace, that in the first half of the twentieth century, people with spinal cord injuries weren’t expected to even survive long enough to be rehabilitated. The outlook for blinded soldiers was certainly more promising in terms of survival, but it was nevertheless a field in dire need of reinvention. The job of setting up a program for blinded soldiers within the VA system at Valley Forge General Hospital fell to Richard Hoover and Warren Bledsoe who were recruited from their staff positions at the Maryland School for the Blind.

The two went about their new task with an incredible amount of passion and dedication. They rediscovered some of the forgotten work done by a W. Hanks Levy in the 1870’s, brainstormed over beers at the local bar and tested their theories themselves by donning blindfolds and trying out their techniques the hard way. They decided that a functional cane needed to be both thinner and significantly longer than the one currently in use, enough to offer the user a one-step margin (these days, two steps is the norm). They also essentially invented the modern method of actually using it. The two-point touch technique still carries Hoover’s name, and was really something of a revolution. One of the more interesting things about the technique is that it’s really quite counter-intuitive. Human bio-mechanics will instinctively lead people to swing the cane in parallel with the step (i.e. swing to the right while stepping forward with the right foot and vice versa). However, it turns out that you get more “bang” for your cane by doing the opposite, even though it goes against the conditioned reflex.

At their disposal, Hoover and Bledsoe had large numbers of blind veterans to field test their techniques. The group they were working with was unique compared to a cross-section of the blind population in that the vast majority of them were totally blind while being otherwise young and healthy. They were quite eager to lead lives that consisted of more than being taken to the park on Sundays and had no preconceived notions about what was and wasn’t appropriate. Importantly, they had no specific prejudices against cane use. One of the first patients to come under the tutelage of Hoover and Bledsoe was a Russel Williams who had lost his sight in combat in Northern France in 1944. After spending time at Valley Forge and learning the new and innovative skills of cane travel, he was transferred to a different center at Avon, where echolocation was the method of choice. Williams managed to integrate the best of both techniques while adding knowledge gained through his own trial and error. His success was remarkable and he not only became an early role model for other veterans but eventually ended up running a new program at a different facility.

Gradually, these early efforts lay the groundwork for the modern field of orientation and mobility for the blind. The modern techniques were in place and the canes used – while still not featuring the straight handle that is the norm today – were relatively long, thin and made of lightweight metal. As far as the Daredevil comic goes, it would take artists decades to catch up to the 1950’s. Not too bad for a book first published in 1964, huh?

Well, I think I’ve crammed everyone’s head full of information, so how about we move ahead to the segment where we take a look at the actual comic. I figured that the best way to do this is in just looking at some Daredevil panels. We’ll touch down about once every fifty issues from the very first one up until the present day. When appropriate, I will offer some comments. Here goes…

Above is a panel from Daredevil #4 by Stan Lee with art by Joe Orlando. Don’t be fooled by the white color, it’s actually brown in close-ups. Also note the temporary use of the word “unseeing” in place of Stan’s personal favorite “sightless.” ;)

Here is another Stan Lee gem, this time with art by Gene Colan, taken from Daredevil #49. Note the fact that the cane isn’t even touching the floor and early Matt Murdock’s characteristic self-pity and obvious self-esteem issues. That has nothing to do with the cane, per se, I just happen to find it somewhat amusing.

It’s hard to find any actual panels around this time with Matt appearing in his average blind lawyer guise, but here’s one from Daredevil #107. The writer for this issue was Steve Gerber and the artist was Bob Brown. And, yes, the cane actually is white in this issue, taking a 1970’s Matt Murdock from the 1920’s to the 1930’s. That’s progress for you.

Above is a classic scene from Daredevil #168, with story and art by Frank Miller. Miller may have ushered in a new era in storytelling, but the cane is back in the 1920’s again.


The above, as you can clearly see, is by Denny O’Neill and William Johnson. The issue in question is #201 and features something as rare as a straight white cane. It’s very short, and if we didn’t know that Matt had heightened senses to keep him out of harm’s way, the fact that it’s completely useless might explain the bandaged parts of his body.

Here’s an odd one from one of Ann Nocenti’s odder issues, included here because it shows at least an ounce of innovation in depicting Matt with a folding cane that is most certainly not a billy club in disguise. The issue in question is #277, and the artist is Rick Leonardi.

White, short and very 1950’s (minus the length) in Daredevil #312 by D. G. Chichester and Scott McDaniel.

This is from Matt’s big return from fake death in issue #353, by Karl Kesel and Cary Nord. I included both panels here just because I like the Lois Lane cameo. Do note, however, that Matt appears to have to bend over in order to reach the ground.

Moving on to volume 2, issue #11, we move back in time once more, as the cane stays short and changes colors again. Story by David Mack and art by Joe Quesada.

This is from issue #64 (vol 2), by Bendis and Maleev and included here for its coolness factor. Matt keeping a stash of extra gear is pretty cool. The cane is a little too thick however.

Now we’re moving in the familiar territory of current history, with these panels from Daredevil #105 (vol 2). Matt’s cane could afford to be a few inches longer, but it’s not far off and he even holds it directly in front of him while walking (well, sort of). Two thumbs up Michael Lark! It appears that the comic has finally caught up with the real world. And, it only took about forty years…

I’ll see you in a couple of days when we take a look at the billy club!

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A strange post perhaps, but the idea for this one came about in the aftemath of the debate on why Matt apparently subscribes to the print edition of the morning paper and whether this endangers his extremely fragile secret identity. And, since this blog discusses everything and anything Daredevil-related, no matter how obscure, I decided that this topic would be worthy of its own entry.

I have no idea why people have suddenly noticed this since it’s hardly a new phenomenon. All I can say is that it’s been talked about quite a bit on message boards and in the occasional blog post. Maybe it’s the new and returning readers that decided that Daredevil #111 was the perfect jumping on point who have raised a collective eyebrow. Below we’ll look back briefly at Matt’s relationship with the printed page.

However, let’s first examine the question of whether his picking up a regular newspaper on the steps in front of his house is necessarily that suspicious. Are there natural and valid explanations for why a blind person would read a regular newspaper? Yes, as a matter of fact, there are. What he does with that paper is really nobody else’s business, and shouldn’t lead neighbors to call in the Thunderbolts for an SHRA-related arrest. He could hypothetically have someone read it to him, or he could use any of the modern devices that blind people use to access print.

So, the secret identity is safe for now. As for the Daredevilesque ability to read print by touch, it’s definitely one of those “powers” that go back to the early days. It must have become apparent right from the start that having the hero be unable to read in a somewhat traditional fashion would simply be too inconvenient. Coupled with the stigma of Braille that sadly persists to this day, it’s easy to see why early writers decided to highlight Daredevil’s ability to plow through even large amounts of text at high speed. Regular readers of this blog might recall the Wacky powers installment from a while back in which I poked some gentle fun at Stan Lee having Matt read much faster than people who read by sight.

Early speed-reading instances aside, very little has been said about the extent of this ability or Matt’s preferred reading mode. Modern-day common sense would suggest a strong preference for Braille over print for the same reason the average person would prefer not to read faded 4 point type in dim lighting if given a choice, even though most of us certainly could if we had to. One of very few instances of print-reading being described as something of a chore is from the first issue of Frank Miller’s Born Again arc in which Matt goes through his mail, thinking to himself “The embossed [envelopes] are easy, going by the scant impressions of the ink on the others is a pain, this early in the day.”

While any references to reading Braille are still exceedingly rare, Matt’s print-reading ability seems to have been played down some during vol 2. He still does it, obviously, but not quite as often as in the past it seems (to me anyway). Of course, what he does between panels is up to each reader’s imagination, and I suspect that imagination ran wild for many when reading Daredevil #111, for reasons unrelated to Matt’s ability to read print. But that’s for a later post…

Below are some volume 2 examples of Matt Murdock’s multi-layered and complicated relationship with the news media. Now doesn’t this post prove that you can write a Daredevil blog entry around just about any theme? What will I think of next? Stick around and you might find out. ;)

“Bad press,” from issue #33 (vol 2), by Brian Michael Bendis with art by Alex Maleev

“Good press,” from issue #76 (vol2), also by Bendis/Maleev

Matt reading Vanessa Fisk’s obituary in issue #93 (vol 2), by Ed Brubaker and Michael Lark. Quick question: Why does Matt hold the paper up in front of him as if he were sighted, rather than let it rest on the table? Wouldn’t the paper buckle under the strain of the pressure he puts on it? And is this really good for his shoulders? Am I overthinking this?

Matt reading the news in #103 (vol 2), by Brubaker/Lark. Will he ever notice the box in the top right-hand corner where it says “Brubaker ‘old as dirt’ according to panel of judges”?

The final panel of #111 that indirectly inspired this post, showing Matt not quite having absorbed the content on the page yet. Click HERE to see it, I don’t want to spoiler those who haven’t read the latest issue yet.

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There are a few common misperceptions about Daredevil that tend to bother me. One is the idea some fans hold that he’s a “devout Catholic.” Outside of the movie and Kevin Smith’s brief run, Matt has never actually been portrayed as a regular church-goer, or even as particularly religious. Sure, he was raised in an Irish Catholic environment, but in most ways Matt is your typical urban secular yuppie (his other “job” aside).

Another myth is that he sleeps around a lot. This one has been repeated so many times that it’s become “true,” even though Matt hasn’t actually been with that many women. In fact, he’s the definition of a serial monogamist. People who are long-time readers of the comic will know this. People who are not, or who have read only certain runs might tend to buy into this myth because it’s been repeated often enough. It doesn’t help that some writers, like the above mentioned Kevin Smith, have added to and helped spread this myth. I also wonder how Matt manages to be both a “pussy hound” (pardon the NC-17 langauge), to borrow Smith’s words, and a devout Catholic at the same time.

The third “myth,” the one I’m addressing in this post, is the one that has been the most pervasive, in part because it has actively been added to by many – if not most – Daredevil writers, though they may not have done so knowingly. It’s the one that reinforces the belief that “Daredevil can ’see’ better than any sighted man,” “his other senses more than compensate for his blindness,” “DD isn’t really blind/disabled/ handicapped/whatever,” and so on. Anyone who knows me, knows that this is one of my major pet peeves when it comes to people’s view of the character (I don’t particularly care whether anyone thinks it’s an important part of the character, it’s just that any version of the above makes me want to slam my head against my desk). Since I regularly search the Internet for any discussions related to Daredevil, using search engines like Boardreader.com, I can tell you that statements like those mentioned above actually do come up quite frequently. They bother me for the same reason it bothers me to watch the Jaywalking segment on the Tonight Show when some random idiot claims that the United States fought Great Britain in World War II and that the war took place in the 60’s. They bother me because this kind of flawed reasoning is uninformed and just plain uninsightful.

But if so many of the writers themselves are guilty of perpetuating this idea, what gives me the right to go against many of the greats who have worked on the book and call this a flat-out myth? Well, good ol’ common sense does. That’s all it takes really. Before letting this topic go, and getting it off my chest once and for all, I would like to take a thorough look at this issue and really get to the bottom of it. My belief is that the two main sources of “error” here are 1) a mistaken view of what a disability is and what it isn’t, and 2) the highly questionable notion that perceiving shapes equals good vision. Let’s take a look…

Myth: Disabilities are by their very nature obvious, highly damaging and necessarily impact every aspect of a person’s life.

Anyone who subscribes to this idea will take one quick look at Matt Murdock and all his extraordinary abilities and simply decide that he doesn’t fit their view of what a person with a disability looks like. The fact that he has actual superpowers (though I’ve noticed some fans are uncomfortable with this idea and prefer to just call them heightened senses) adds to make the whole idea of a “disabled superhero” seem like an impossible contradiction. His whole physiology actually makes him better at many things and gives him access to perceptions that lie far beyond that of the average human. How can someone who can double as a human lie detector and perceive an attack from every angle be disabled? Well, to answer this, let’s begin by sorting out the definitions…

The World Health Organization gives us one (there are several) definition for the related terms impairment, disability, and handicap. An impairment is basically an abnormality of some bodily structure or function. A disability might be said to be the consequences or physical manifestations of the impairment, and a handicap is the disadvantage that the person with the disability faces when the demands of the environment are at odds with said disability. For instance, an inability to walk is a disability that results from an impairment (let’s say a spinal cord injury) and which may or may not constitute a handicap at any given time. If there were no stairs in the world and all surfaces were completely flat, this kind of disability would rarely constitute a significant handicap. This is an important point to make, because the consequences of a disability can actually be very context-dependent, and may not be the least bit limiting in one situation while being much more so in some other situation. There are lots of examples of people with various disabilites who perform much better than the human norm in some areas where their specific disability is not a factor. Examples of this include Marla Runyan, legally blind U.S. olympian and long-distance runner who was once the highest ranked female marathon runner in the country, and Terrance Parkins, a South African deaf swimmer who won a silver medal at the 2000 Olympics.

The people mentioned above obviously don’t have any superpowers, but the point here is that a disability is not necessarily always either relevant or detrimental to the completion of a certain task. It depends entirely on the nature of the particular disability and on the situation. The fact that Daredevil has powers and abilities that allow him to fight with greater skill and accuracy than might be humanly possible, and to detect certain things that others cannot, does not actually make him “not disabled.” So long as his radar sense and other heightened senses do not fully replace all functions of normal vision, this will always be true. Which brings me to…

Myth: Having a radar sense and heightened senses of touch, smell, hearing and taste compensate completely for being totally blind.

When you go back to the basics, that is the actual comic itself and sources like the Marvel Universe Handbook, Daredevil’s powers, while somewhat sketchy, are pretty basic: four senses heightened far beyond the human norm, except for sight, and a radar sense. The story on the radar sense has always been that it gives Daredevil a 360 degree three-dimensional “view” of his surroundings. So that’s pretty much like seeing, only better, right? Uhm, not exactly…

I buy that the radar gives him an edge in combat. In fact, I’ve always found Daredevil to be a higly believable superhero. However, none of his senses come even close to compensating for Matt’s most obvious (and not so minor) disability, which is the fact that he’s 100% color blind. He gets a three-dimensional view of his surroundings, but that’s all he gets. What I mean by that is that he misses everything that is rendered exclusively in two dimensions. Everything color-coded, everything written, everything displayed on a screen, and everything light-based.

For those who would shrug this off as being merely an issue of esthetics, I would suggest the following experiment: The next time you go to the store, imagine that everything is the same color and watch the incidental visual information that most of us take for granted disappear. That includes every single sign, all of those “2 for 1″ deals they have advertised, the newspaper headlines, the names of every single product on every shelf. It’s all shapes. Of course, fell free to add in sounds and scents. Pretending you’re Matt Murdock for a second, you can most likely identify each section of the supermarket by scent and, to a certain degree, by shape. The cereal isle, for instance, is full of generic shapes that might smell different when you get close enough – though keep in mind that scents always blend together – and you can touch the box to read it. But, you cannot visually scan for anything. For the average person, it would take mere seconds to pick out the cheapest brand on the shelf. If your only means of doing this is by touch, it will take you a whole lot longer and since most pricing information is hidden under a thick layer of plastic, it might even be impossible. Well, unless you have one of those universal bar code scanners. I’m not saying that this is necessarily a big deal, but it is clearly an inconvenience.

At this point, someone might say that a highly acute sense of smell compensates when it comes to shopping for food, but let’s take this experiment to another location. Let’s go to the book store or the computer store. Say you’re shopping for a new ethernet cable for your modem. You enter the store and all you get is various shapes, the smell of plastic and signs you can’t read. Okay, well let’s say you walk through each aisle until you find the area where all of the cords and cables are kept (and these types of packages tend to have distinctive shapes, so I’ll buy that). Now what? Well, what kind of cable do you want? How long should it be? What brand? What other specific information are you not seeing? Go ahead and touch each label, and that will give you the information you need. However, if you could easily read things without touching them you would probably approach this task by quickly scanning the supply, identifying first where the ethernet cables are (and not the firewire, phone or USB cables…) and then quickly narrow down your selection from there to first brand and then length. This would take a fraction of the time it would take if you had to do it by touch. The “can only read what you’re physically touching” issue becomes even more of a problem in a bookstore, where not even the shapes are distinctive…

…which brings me to reading generally. If you can read everything (printed) by touch, then quickly searching for written information should be a snap, right? That’s another no. What do you do when you read the paper? Do you start in one corner and then read the whole thing until you’re finished. If you’re like me, you open it up, look at the page for a couple of seconds at the most and decide if there’s anything you want to read. Heck, it may even be covered by one big fat ad. So, you flip the page if there’s nothing on it that interests you. Because the advantage of vision over touch here is enormous. Vision lets you take in all that information in no time because you can process so much simultaneously. This issue becomes even more obvious if you imagine that you’re looking something up in the phone book. Visual scanning is insanely fast compared to having to stop to touch the page.

These are just a handful of examples that all illustrate my main point, which is that vision consists of much more than only detecting shapes, and that an inability to perceive two-dimensional visual information should justifiably be considered a disability, regardless of what other abilities a person might have. So, when Matt opened up to Elektra and told her about his powers, adding “my other senses more than compensate,” I wonder if he felt the same way an hour later sitting in class in front of a black board he couldn’t read.

It is interesting to note that the writers who have gone the farthest in really trying to describe Daredevil’s enhanced senses are the ones who have been the best at reminding the reader that the hero is also blind. I don’t think this is a coincidence. When you really try to get inside his head, you realize the immense powers of his world. You also quickly realize the limitations. Yes, oftentimes Daredevil’s senses do more than compensate for his blindness, sometimes going far beyond the human norm. But to suggest that they always compensate is a logical fallacy of major proportions. And, if you ask me, doing so even cheapens the character. It allows Marvel to have their disability cake and eat it too. They can milk the “Daredevil is special because he’s handicapped” premise for all they’re worth, but as long as they refuse to actually touch it with a ten-foot pole, it all sounds a little hollow to me.

I touched on some of these points in a previous post as well, but part of the reason for bringing them up again here, aside from getting this out of my system once and for all, was some of the answers I got when I asked comic readers who are not fans of the character what they didn’t like about him. I will get back to all the answers I got in a later post (this was on Newsarama and Comic Book Resources, by the way), but at least two or three people pointed to some version of “you can’t even tell he’s blind” as one of the reasons they found Daredevil to be less interesting than his basic premise would suggest. I thought that was interesting, but I wasn’t surprised. I’ve stated before that I think this is a weakness in how the character has been portrayed, and I know I’m not the only one. Fortunately, Brubaker has, in my opinion, performed the best of any writer ever in this department, and I believe that we will see a more nuanced and modern take on Daredevil’s abilities in the years to come.

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This is my second post on the appeal of Daredevil. See the end of the post for other entries in this series.

Daredevil may be the only superhero who is more famous for what he can’t do (see), than what he can do. The Wikipedia article on Daredevil states within the very first paragraph: “… and is notable as being among the few superheroes with a disability…” Before going on, I’d like to quote what Joe Quesada said in part 3 of the One More Day interviews on Comic Book Resources, and give my own comments below:

“Let’s look at Daredevil and let’s make this simple, because in the case of DD as a character, it is. Matt Murdock has an incredible past, a tragic yet uplifting one. “What makes DD different than any other hero, however, is that he’s handicapped. He has gone through all that he has gone through and he’s managed to triumph over all of it while being blind.This is the one thing that makes DD truly special and stand out. Now, what if we were to give Matt his eyesight back permanently in a way that would be difficult to retcon? Sure, DD would still be somewhat cool, but not nearly as interesting or different as he is being blind. Ultimately, I don’t think people would stick around to read the ongoing stories of a sighted Daredevil because giving him his sight back just makes him another grim and gritty hero with very little else to differentiate him.”

Aside from the fact that Joe Quesada brought this up to make a comparison between Daredevil’s blindness and Spider-man’s marriage(!), does he have a point? Is being blind what makes Daredevil unique and is it true that people wouldn’t stick around to read about him if he were sighted?

I’d be the first to admit that I find the basic premise of Daredevil to be incredibly appealing. It makes him exotic, and it adds a big touch of humanity. There’s also something inherently intriguing about a character who can dodge bullets but can’t read a text message on his cell phone (well, he could get some software that takes care of that, but you know what I mean). However, I think people who reduce the character to this one thing are missing a big part of the picture. They also overestimate the importance that most writers have given to Daredevil’s most famous quirk. It’s a great gimmick – I would even say that the book probably survived its first one hundred issues thanks to this gimmick – and it does make the character stand out. For the most part, however, it’s been treated as little more than just that – a gimmick.

People may pick up the book because they like the basic concept, but they probably find other reasons to stick around. With Matt Murdock being such a generally compelling character, and with all the excellent stories that have been told about him, there are plenty of other hooks to keep the the readers’ attention. For some of those who are picking up the book for the first time, the idea of the blind superhero is probably a big part of the appeal. For the fans of the book, this aspect probably ranges from “important” to “nearly irrelevant,” depending on who you ask (although I suspect even the latter group would be a little annoyed should he be given his sight back permanently).

Because, at the end of the day, Joe Quesada’s quote is also a bit disingenuous. He’s talking about Matt Murdock being successful in spite of his disability when we have never actually seen this issue dealt with in any significant way. In fact, it’s been reduced to such a non-issue that many fans question the very idea that Matt is even disabled. I would even go out on a limb here and say that the way Quesada (above) and Stan Lee talk about how “Daredevil is such a great hero because he’s handicapped,” goes against whatever policies have governed how the character has been portrayed for the last 40+ years. While many writers have made extensive metaphorical use of Daredevil’s blindness (evident in issues bearing such names as “The Blindness Men Wish For,” “Blind Spots, and “Blind Man’s Bluff”), any real consequences of not having normal vision have usually been denied. Perhaps to make the character live up to the old adage “my other senses more than compensate,” regardless of whether this assertion makes sense or not, or maybe because writers have found it too inconvenient to portray Matt’s actual limitations in any sort of realistic way. (For those who question my desire for realism in comics, I should also add that I find the fact that Wolverine can regenerate his body from a pile of bones to be somewhat annoying.)

The instances of writers having Matt in any way acknowledge that being blind might be something of an occasional nuisance (yes, even with his heightened senses and nifty radar) are few and far in between, but they do exist. Denny O’Neill had Matt express what could only be described as frustration on a couple of occasions when faced with situations where his senses weren’t enough. Gerry Conway shocked the socks off readers – as evidenced by the comments on the letters page – by introducing the idea that Matt actually misses his sight every once in a while (holy cow!).

“I was in my secret identity — as Matt Murdock, first class attorney — when I met Chuckie. The secret identity can be a relief, Bullseye. When I’m Murdock, I don’t have to use my amplified senses to pretend I’m not blind.”

And, in Roulette (#191), by Frank Miller, Daredevil tells Bullseye “I was in my secret identity — as Matt Murdock, first class attorney — when I met Chuckie. The secret identity can be a relief, Bullseye. When I’m Murdock, I don’t have to use my amplified senses to pretend I’m not blind.” This, for me, is a much more mature handling of this aspect of the character than Stan Lee’s Matt, who would drop such lines as “I can color-coordinate my wardrobe better than any sighted man!” on every page. Okay, I made that last one up, but there was a definite pattern going on. My question for Stan would be: if the hero’s blindness must be rendered completely irrelevant at all cost, what was the point of making him blind in the first place?

I once read a comment on a message board by a poster who said that the biggest problem with Daredevil as a character was that his powers were so good it was almost as if he could see, making his blindness irrelevant. I would say that the flaw he’s pointing to has less to do with Daredevil’s powers – as long as they aren’t pumped up to ridiculous extremes – but to the failure on behalf of some writers to realize or acknowledge that they don’t actually fully replace normal human vision. But I agree with this poster to the extent that I would have like to see a more realistic handling of this aspect of the character. That doesn’t mean what some people might think it means. I’m not talking about swapping the superheroics for a deep look at the “plight” of the blind. In fact, there’s not a single one of all the great stories told about this character that couldn’t have been told while being as respectful of Daredevil’s disability as of his “super-abilities.” The kind of difference I would have liked to see would have been a subtle one, but it would have made the character even more compelling, as I see it.

Needless to say, I find Daredevil’s blindness to be a big part of his appeal for me – regardless of how it is actually portrayed. Even more so when combined with his other senses. It’s like he lives in his own separate world that is at once both bigger and smaller – both “better” and “worse”- than everyone else’s. There are lots of experiences that he can’t fully share with other people, and at the same time he has access to other things that the average person can’t even imagine. It’s just interesting stuff.

Would I keep reading the book if Matt got his sight back? Yes, I would. That’s not to say that Quesada doesn’t at least have one point. While being blind isn’t really what Daredevil is all about, it certainly adds to what makes him unique.

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