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Matt Murdock’s first trip to Japan

by Christine on February 17, 2010 in Commentary, Older Issues

It’s comic book day in North America today. I have to wait until tomorrow to get my copy of Daredevil #505, so I thought I’d pass the time by talking a little bit about the first time Daredevil went to Japan. The panels below are from Daredevil #197-199, by Denny O’Neil and William Johnson (though the first panel below is by Klaus Janson).

Matt decides to go to Japan after learning that Bullseye is being taken there to have his spine laced with adamantium, which – by some unknown mechanism – will also heal his paralysis. I will never get how fixing the bones of the spine can repair an injury to the spinal cord, but this kind of magic seems to be common in the Marvel Universe, so I’m just not going to go there. ;)

The first panel we’re going to look at is Matt announcing his plans to Foggy, who seems happy that Matt is taking time off from work.

Matt tells Foggy that he's going to Japan

Matt tells Foggy that he's going to Japan

More Japan under the cut –>

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The Price

by Christine on January 3, 2010 in Commentary, Older Issues

Hey there! Glad to see you made it into 2010. For my first post of the year, I thought I’d take a closer look at one of those issues that usually ranks pretty high on many people’s lists of memorable Daredevil issues. It’s cheesy, cute, not perfectly logical, but an uncommonly emotional read. What am I talking about? Daredevil #223, The Price, by Denny O’Neil and David Mazzucchelli.

Published in the fall of 1985, The Price was a tie-in to Secret Wars II, featuring the mysterious Beyonder, a character as well known for his jheri curls and distinctly 1980’s look as for his background story. To make a long story short, the Beyonder is a very powerful alien being who is visiting Earth in search of enlightenment. While it’s the Beyonder’s desire to find a legal means to own the entire world(!) that brings him to the law offices of Nelson & Murdock – and thus gets the story going – this issue is very much about the title character. Matt is taken on an emotional roller-coaster when the Beyonder gives him his sight back as a retainer to persuade him to take the case.

The Beyonder materializes in Foggy's office

The Beyonder materializes in Foggy's office

Less Beyonder and more Matt under the cut –>

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Daredevil 191 cover

Daredevil 191 cover

Nope, I didn’t consult the random number generator for this one. Daredevil #191 was reprinted in Daredevil #500, and while including old content might be considered padding (well, it is), this Frank Miller classic was a very good choice. In fact, Daredevil #191 may well be my favorite single issue of Daredevil, or at least in the top three.

For starters, the art makes me take notice in a way most issues do not. Unusual angles, perspectives and panel layouts combined with the generous use of negative space makes Roulette an interesting-looking issue. It provides sufficient detail while guiding the reader along.

The story itself is told mostly in the form of a monologue, as Matt Murdock pays a visit to a the hospital bed of the now paralyzed Bullseye. Unable to move, or even speak, Bullseye has no choice but to listen to what Daredevil has to say, his first order of business being to introduce Bullseye to a game of Russian Roulette.

More Roulette under the cut –>

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Random Reviews – The Widow part II (vol 2, #62)

by Christine on September 13, 2009 in Older Issues

I was quite delighted to see which issue was next in line to get the Random Reviews treatment as this is one of my favorites from the Bendis/Maleev run. It’s exciting, funny, and even sensual.

Background

This arc starts in issue #61 when the Black Widow comes back to town after being called in when out on assignment. Madam Hydra has been apprehended in Bulgaria and their government is refusing to turn her over to the Americans unless Natasha is turned over to them. Natasha returns to New York and decides to hide more or less out in the open and crashing the place of friend and former lover Matt Murdock. He, meanwhile, has his own set of problems in the wake of having his secret revealed to the world, and being separated from Milla who has filed for an annulment. In the previous issue, Matt has received a tip from Ben Urich that regular Punisher foe Jigsaw is involved in some shady business and that the police have decided to lay low, giving Matt and Natasha the chance to go out and play…

Matt and Natasha hiding out in Daredevil #62, volume 2

Read more under the cut –>

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I haven’t done one of these in a while, but here’s what the random numbers generator spat out this time: Daredevil #178 by Frank Miller with inks by Klaus Janson!

This story takes place ten issues into Miller’s run as Daredevil writer, and the first scene features one of his most famous creations, Elektra, getting a very spectacular invitation to work for the Kingpin: he sends a bunch of goons to attack her and then leaves a note that reads: “Elektra, if you are alive to read this, you are as deadly an assassin as I have been told. I should like to discuss with you employment opportunities in my organization. /The Kingpin” Nice! I guess advertising in the newspaper doesn’t quite cut it.

Miller leaves Elektra to ponder the job offer while we cut to Matt swashbuckling his way to work in a mood that would stun modern-day readers (which lends at least some credence to my claim that Miller’s DD was not as “dark” as many would suggest). He professes his love for New York while contemplating stopping for a danish on his way to the office.

The law partners’ most recent case ties directly to the Kingpin’s dealings. They are representing the Daily Bugle against the charges brought against the paper by a mayoral hopeful who’s had his connections to the Kingpin exposed. An interrupted witness interrogation later (which has Matt make an elegant getaway) and Foggy is worried enough about his partner to decide to hire Danny Rand and Luke Cage to act as his body guards. They make themselves useful right away when Matt is approached by three men on the trail of their start witness. After a full on fight, Matt repays the two guest stars by being anything but grateful.

Fortunately for the case, Matt manges to escape his captors – ahem, babysitters – by jumping down an open elevator shaft. He finds out what he needs to know and continues to go about his business when Luke and Danny catch up with him on fifth avenue in the middle of a parade (don’t know which one it’s supposed to be, it’s clearly too warm for Thanksgiving). Matt switches to Daredevil once again, and he and Danny “Iron Fist” Rand launch into an unusually contrived hero versus hero fight, based simply on Danny’s hunch that DD is hiding something. The issue ends with Dardevil solving the case and Elektra stumbling into Fisk’s office, ready for her first assignment..

This issue is plenty of comic book fun, with some of the more traditional comic book clichés that one might not have expected to see. All in all, an enjoyable 3 out of 5 for me and a reminder of happier, though not necessarily uncomplicated, times for Matt.

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Wait a sec. I thought Daredevil lived in the city that never sleeps. Anyway, you guys might remember how I, back in February, declared February “annuals month,” then posted about the first annual and then, well, sort of forgot about it. You don’t? Good. *ahem* I was hoping that we could just sort of leave that sad debacle behind us and move on to Daredevil Annual #2. However, before getting to the issue, I just wanted to give you this link (which I found posted at The Weekly Crisis) to the Pet Avengers group on Flickr. It appears that Marvel has issued a challenge where readers are encouraged to dress up their pets as Marvel characters and take their pictures. Since I know a particular regular reader of mine who has no fewer than eight cats and what might be the largest privately owned collection of Daredevil stuff anywhere, I just thought I’d pass this along. ;) Moving on…

This issue is a two-shot featuring 40+ pages of story. The first half was was both written and penciled by none other than Wally Wood while Stan had the honor of finishing up. A very exciting caption on the first page promises the following:

“Two great surprises await you in this off-beat issue! One: This is Daredevil’s first real mystery thriller, complete with a zillion suspects, countless clues, and perplexing plot twists! Two: Wally Wood has always wanted to try his hand at writing a story as well as drawing it, and big-hearted Stan (who wanted a rest anyway) said okay! So, what follows next is anybody’s guess! You may like it or not, but, you can be sure of this… It’s gonna be different!”

Is it just me or could they just as well be saying “we can’t promise you any kind of real quality, but it’ll be quirky and fun!”? So, a mystery thriller and a zillion suspects, huh? Well, we’ll see about that. And just so you know, this is a looooong summary.

Summary:

The issue begins with Cat-Man breaking “public enemy” Monk Keefer out of prison on the Organizer’s orders. Later, we see the same mysterious Organizer recruit two other henchmen by hacking himself into a television set and an ongoing phone call, as can be seen below (and yes, it’s safe to say that Frog-Man was bullied as a child, for reasons too many to count):

Frog-Man gets a strange visit in his television set

Frog-Man gets a strange visit in his television set

Frog-Man gets a phone call

Frog-Man gets a phone call

The three new recruits take on the identities of Ape-Man, Frog-Man and Bird-Man. They may look silly, but they are totally cool. Nah, who am I kidding? They’re really not. Either way, the organizer plans to use the four to unleash a crimewave unlike the city has ever seen, as it turns out in an attempt to sway public opinion in favor of the Reform Party, the same party which has just asked Foggy to run for district attorney.

The four assemble to get orders from the Organizer

The four assemble to get orders from the Organizer

While these evil-doers plot their villainous schemes, Matt and Karen decide to accompany Foggy and his girlfriend Debbie to an event held by the Reform Party on board a yacht. Matt soon picks up a radio signal(!) from the Organizer and deduces that it’s coming from the yacht and hence someone who belongs to the Reform Party. He goes after Frog-Man in the water and the team’s plan of going about their crime wave without interruption is in serious trouble. Frog-Man escapes, returns to the headquarters, and the Organizer instructs his crew to find a “permanent solution” if Daredevil proves troublesome.

The plan goes ahead to create the illusion of wanting to attack the Reform Party, with Bird-Man stealing the campaign funds and Daredevil catching him in the act and taking the money. This leads the Organizer to decide that it’s time to eliminate DD. The plan is to continue the crime wave while also getting DD into trouble with the law. It seems like these guys aren’t so bad after all. Couldn’t they just plan to have him killed? Seems like less work to me.

The way they go about miscrediting him seems a little far-fetched: Daredevil responds to cries of help from a bank. It’s not being robbed, but someone has apparently been trapped inside the vault and is at risk of suffocating. DD uses his superpowers to open the safe by “seeing” into the lock with his radar sense (eh, what?). What happened to just listening to the tumblers fall into place? Either way, Daredevil saves the day, but immediately realizes that something is wrong when Cat-Man and Frog-Man greet him on the other side. They spray him with some gas and he loses consiousness until the sounds of sirens awaken him. This is where logic is stretched to the max as DD decides he has to get out of there since he’ll “never be able to convince them [he] wasn’t part of the plot…” Why not? In fact, there’s nothing to suggest he wasn’t acting in good faith. Oh well, now he’s on the run from the law. However will this end?

Later, Debbie is hosting a party in Foggy’s honor and Matt attends from a distance, in costume. Along come the Organizer’s crew to kidnap her, though Cat-Man is knocked out by DD and taken in for questioning. Facing life in prison, he decides to spill the beans. Not that there are that many beans to spill: “Well, I’ll tell you what I know… I’m a member of a gang called ‘The Organization’… the head man is called the ‘Organizer’!” Wow, that really cracked the case right open, didn’t it? Before the Cat-Man can continue his story, Daredevil attacks Ape-Man who is listening outside the window, ready to strike against his former partner in crime. They fight and Daredevil follows him to the Organizer’s headquarters. There, he finds that Foggy’s girlfriend and supposed kidnapping victim Debbie Harris is no prisoner, but was in on the plot all along. Poor Foggy…

As Stan takes over the writing, Bird-Man shows up again for a re-match. DD manages to escape and returns to rescue Debbie Harris, whether she wants it or not. He’s hoping that she’ll lead him to the Organizer himself, but she instead just calls him for new orders, which are to concentrate on Foggy. Daredevil watches helplessly as his best friend is being played.

Matt gathers even more evidence against the Reform Party when he changes to civilian clothes and attends the ongoing interrogations of Cat-Man, and decides to confront Foggy with the suspicion that the Reform Party might be using him as a pawn. Foggy accuses Matt of being jealous of his success, though he does agree to the trap Matt wants to set to test his theory. They invite Bernard Harris, Debbie’s father and Reform Party candidate for mayor, Abner Jonas, the mayoral candidate, and assembly candidate Milton Monroe. Matt and Foggy stage their own ruse by telling the men present that they’ve discovered the identity of the Organizer and that the information has been locked in their office safe. Later, Matt, Foggy and Karen return to the office to find it in shambles, and Foggy finally believes what Matt has been trying to tell him. Their trail runs cold, however, until they get some help from an unexpected source. When Debbie learns that the Organizer is looking to have the current mayor killed, she feels that he has gone too far. She decides to cooperate with Daredevil and agrees to call one of the Organizer’s men to set a trap.

In classic comic book fashion, Daredevil subdues Frog-Man when he shows up at the Harris residence and does a little costume swapping. Wearing Frog-Man’s green threads, Daredevil drops off the unconscious villain, dressed in his costume, outside the police station. I love Matt’s comment here: “Wish I could see how he looks in my costume! I’ll bet he’s a living doll!” And yes, he does look sort of cute. Attached to the unconscious Frogdevil is a note instructing the police to listen into the Organizer’s wavelength. The very same radio beam Daredevil uses to find the Organizer.

While Daredevil is confronting the Organizer, the police listening in decide that this would make for good TV and start broadcasting live from the camera in the Frog suit. Since the Organizer apparently doesn’t want to miss his “stories,” he’s got the TV on as well and is clued in on “Frog-Man’s” deception. The rest of the crew attack and Matt is tossed out of the room through a trap door.

While Matt races back across town to get to his spare Daredevil suit, Foggy announces his decision to step down as the Reform Party’s candidate for DA, and everyone is gathered around him at the party headquarters. Suddenly, the Organizer appears on screen. Abner Jonas is quick to assign blame: “That proves it! Monroe is the only one of us who isn’t here! He’s the Organizer!” Foggy is then quick to point out that the message could have been recorded beforehand, thus proving nothing. Foggy and Jonas get into a fight and Ape-Man and Bird-Man appear to kidnap Jonas. Daredevil interrupts and while he fights the two costumed loons, Jonas makes a break for it. He doesn’t get far however, and Daredevil is soon able to uncover the mystery. He recognized the ring Jonas wears as the same one worn by the Organizer. Mystery solved! *phew* Man, it’s a chore trying to summarize forty pages of extremely compressed storytelling…

At the end of the issue, Matt rather unexpectedly decides to take a break and travel. He waits until Karen receives a phone call that their rent is overdue to announce his plans to take a leave of absence. Silver Age Matt Murdock is such a jerk…

Hilarious things about this issue:

  1. Matt can actually pick up on and understand the content of a radio signal. Hahahaha… Yeah. *wipes away tears of laughter* For anyone who’s interested, I already mocked this instance of dubious pseudo-science in an earlier post.

  2. Bird-man flies off with the Reform Party’s campaign funds. Which the party keeps in a briefcase. And, yeah, that’s a single briefcase. I know this was a few decades ago, but they had banks back then right? And apparently no need for campaign finance reform…

  3. Daredevil appears to be very perplexed by the idea that the organizer, apparently a member of the Reform Party, would send his goons to rob his own party. This is a little amusing in light of the fact that he showed up at the party’s headquarters telling the readers that he had a hunch someone would try to pull something like that.

  4. The wonderful obsession with precise and pedagogical charts to show us the exact layout of the organizer’s hide-out. Do note that they even pointed out Frog-Man as he enters through a tunnel below the surface. Now, how cute is that?

    Pedagogical chart complete with an arrow pointing out Frog-Man

    Pedagogical chart complete with an arrow pointing out Frog-Man

If Daredevil can just follow the radio signal in the Frog-Man suit (which in and of itself is highly questionable), why didn’t he just do that right from the start? Hmm…

Well, I gotta tell ya, this issue is a crazy roller-coaster of a ride. I think I’m feeling dizzy. Better go lay down. I’ll see you all later!

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February is annuals month!

by Christine on February 13, 2009 in Older Issues, Silver Age Madness

I know, it sounds all official, doesn’t it? It’s not. I just decided that annuals would be my theme this month, although there are enough of them to spill into next month too, especially mixed up with other things I might think of along the way (not to mention that we have a new issue out in less than a couple of weeks).

The very first Daredevil annual, from 1967 by Stan Lee and Gene Colan, has been reviewed in considerable detail by Robert of The Matt Murdock Chronicles so I will only look at a handful of panels here. When I get to the second annual, I’ll give it a more in-depth treatment. However, I’ll begin by just offering a couple of impressions I got from reading this one.

First of all, it’s clear that one of the reasons publishing companies put out annuals to begin with is to reach out to new readers who may not be familiar with the ongoing series. Of course, back in the day, the hero’s origin had to be shoehorned into every single issue, just in case someone didn’t know that Daredevil, in this case, was a blind lawyer/vigilante with heightened senses. This concept is pushed even further in this case, as Matt spends three full pages engaging in some kind of monologue that’s supposed to sum up everything going on in his life. At some point, Stan Lee must have realized that no one, with the possible exception of characters in soap operas, actually talk to themselves that much, so he even has Matt comment on the fact that he’s talking to himself. Either way, the monologue does a decent job of letting the new reader know everything he or she needs to know.

Another thing I noticed is that this issue reads like hero vs villain tournament. With so many pages to fill up, and not nearly enough story, DD seems to be going through half a dozen villains (though loosely and illogically connected) with one fight scene after another. Is this supposed to let us know how bad-ass he is? If so, why bring back the Matador? Either way, let’s take a look at some actual panels, shall we? Lessons learned this issue are:

  1. A villain will only actually kill you if he can do it in style.

    In a surprising team-up, Electro and the Matador (addressed by DD as “Matty” at one point in this issue) have joined forces and knocked DD out cold. Or, so they think. He’s actually only pretending to be unconscious, which we learn in the next panel. The voice of reason, in another surprise, is the Matador who asks: “But, why not finish him off now, while you have the chance?” Because he takes pride in his work, “Matty.” That’s why. Geez, are you slow or something?

    Electro and the Matador let Daredevil live

    Electro and the Matador let Daredevil live

  2. In a pinch, your hand makes for an excellent cushion.

    When you fall forward, just make sure you can get your hand in between your cheek and the ground. It’s just like falling into a box of downy soft feathers. It won’t hurt one bit. Really. Hmm, not a smart call for a guy who needs his hands to read…

    Daredevil lands on his hand

    Daredevil lands on his hand

  3. Matt Murdock is a brave man…

    And a great guy. And Foggy is jealous. And Karen is in heat (or something). And early DD reads like a frickin’ soap opera. And, yeah, you can see for yourselves:

    Foggy and Karen worry about Matt

    Foggy and Karen worry about Matt

  4. Forget everything you’ve heard about performance enhancing drugs. Your favorite heroes take them too!

    Those nutritional capsules were apparently a one hit wonder. And one has to wonder, were they really all that filling? And what gravy stains? Matt “I can color coordinate my wardrobe while driving and reading the phone book better than any sighted man” Murdock spills when he eats?! I’m shocked. Really, I am.

    Daredevil pops dubious looking pills

    Daredevil pops dubious looking pills

Okay, that’s it for now! Read more about this issue by following the link in the beginning of the post, and I’ll see you all later this weekend!

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Enough slacking off for me. It’s time to get back into the heat of things. Today I’ll be reviewing an issue from Ann Nocenti’s run. Usually when you read current commentary about people’s reactions to Nocenti’s Daredevil, you’re told that it was controversial – loved by some and hated by others. I wasn’t around back then. These issues came out long before I was a fan so I have no idea what the reaction to her run was at the time. All I know is that it seems the vast majority of current longtime readers adore her, and that mine is a dissenting opinion.

Basically, I’m not a big fan. That makes reviewing this issue hard. I’m not sure I’m qualified to comment on the actual literary and artistic merit of a comic written in a style that I just happen to not particularly care for, all I can do is give my opinion. This also brings up the difficulties of reviewing old issues of Daredevil in general. How do you compare Stan Lee’s Daredevil to Brian Michael Bendis’s? They are such different animals. At the end of the day, my final score will depend on basic entertainment value. A well written and high quality comic, like much of volume 2, will offer a completely different kind of experience than something quirky and fun from the earlier issues of volume one.

For me personally, most of the Nocenti run offers neither kind of entertainment. When I’m not left cold, I usually feel annoyed when reading her issues. There are some I like, and I feel she was often great at writing compelling villains, but many of the things that rub me the wrong way are present in the issue reviewed here, so I’ll return to them below.

We Again Beheld the Stars is part of the Inferno cross-over event, which mainly involved the X-titles and a few other tie-ins. #265 is the last of three Daredevil tie-ins and showcases New York City nearing the end of the demon invasion that had taken over both people and inanimate objects. I don’t know to what extent Nocenti had any power over whether Daredevil would be involved in the event or not, but I don’t like demons in Daredevil. Nor do I like galactic events in Daredevil. We don’t have any of the latter in this issue, but my basic complaint is the same. I just don’t feel it suits the tone of the book, so that’s strike one as far as this issue is concerned.

What Nocenti does here is use the demon invasion, and the people affected, to also tell a different kind of story. Normally, I would laud this kind of effort. If you’re going to be stuck with a demon invasion in a book where such a theme seem likes a bad fit, why not craft a nice metaphor out of it? One of the problems I have with Nocenti’s use of metaphor in this and many of her other issues, however, is that it lacks subtlety, and political commentary seems shoe-horned in for no apparent reason. One example of this can be found on one of the very first pages. When we follow a demon-possesed dentist, “infected” on the opening page by a machine, through his office and waiting room and out onto the street, the story shifts to a couple of guys in a truck. We see the driver drinking a beer, and thick black smoke coming from the exhaust pipe. The person in the passenger seat says, “It’s fun to blast holes in the ozone!” to which the driver responds, “Gun it again, pollutin’s a blast!” I won’t get into the fact that exhaust fumes don’t break down the ozone layer (oops, I guess I just did), but these characters seem to exist only to deliver this message. Which would be fine in and of itself – I actually like real issues reflected in fiction – but these characters become caricatures. Who actually talks like that? It takes me out of the book.

On the next page, Daredevil makes his first appearance. This issue sees him being in a trancelike state, like so many of the people on the streets, going about his mission like a zombie. He still does what he’s supposed to though, battling demons and helping people, but he’s not acting like himself. He doesn’t have a single line in this issue, but his actions are commented on by onlookers Butch and Darla, two of the children who made frequent appearances in Nocenti’s run. Butch is frightened by Daredevil’s coldness while Darla, clearly possessed, cheers him on.

The rest of the issue continues in much the same way. We switch between events happening to various people in New York, both the possessed and the unaffected, and Daredevil waging a robot-like one man war on demons. Throughout we get heavy handed social commentary, such as:

“A city of social darwinism, that’s what we’ve got! Cull out the meek, the timid, the shy. Let only the aggressive survive! Once we weed out the artists, the poets, *snort! Yuk yuk* the tender-hearted liberal saps — it’ll be a city of bullies stomping heads as we climb to the top! It’s the law!”

This, to me, combines pretentiousness with a complete disregard for any kind of subtlety. If you really want to illustrate a point, it’s better to show it than deliver it on a platter for easy digestion.

I also find the art uninspiring. I actually like most of John Romita Jr’s current work, and I think he did a fine job of drawing Matt in the Enemy of the State storyline in Wolverine, but I never cared for how he drew Matt/DD while teamed up with Nocenti. There are other details I like, but the face of the main character often seemed stern and expressionless in ways that make me care even less about what happens to him.

Bottom line: I’m neither entertained nor intrigued by this issue. It does nothing for me. I think it was Chichester who said that, to him, Nocenti’s Daredevil seemed more like a comic which happened to have Daredevil in it than a comic about Daredevil. I’m paraphrasing here (and it’s not as if Chichester is beyond reproach), but that way of looking at it might, in part, explain why Nocenti’s Daredevil has been so hard for me to get into. In this issue, Daredevil is not even acting like himself, becoming instead only an agent of some other force, which makes this even more problematic. This issue is about as exciting as a public service announcement set against the implausible backdrop of New York being overtaken by demons. This is not why I read Daredevil.

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So far in the “random reviews” series, we’ve looked mostly at Brian Michael Bendis’s run. This time, we’re taking a trip back to 1974 and the Daredevil of Steve Gerber, with Bob Brown on art duties.

The first thing that strikes me about this issue is the title. I guess “When Strikes the Gladiator!” is supposed to be Marvel’s way of adding some kind of Shakespeare twist to the otherwise dull “When the Gladiator Strikes.” Oh, and in case you’re wondering, the “Gladiator Strikes Back!” banner on the cover is not actually the title of the issue as it appears on the first page of the story. Unless it is and someone somewhere goofed up. Let’s move on.

This issue features a wide variety of players, including the Deathstalker (who appears for the cliffhanger ending), the Gladiator, Man-Thing, the FBI, and Foggy’s sister Candace Nelson. While the premise of the story – which I’ll get to shortly – is a little goofy, it’s a good fun ride with a plot that actually holds together quite well.

This also happens to be a groundbreaking issue of sorts, as we see Matt bid Natasha farewell in San Francisco to return to New York where then district attorney Foggy Nelson is recovering from a gunshot wound. You can tell that Marvel editorial is testing the waters here because it appears to be completely open at this point whether Matt will return to San Francisco when Foggy recovers or stay put in his native city.

The issue starts with Daredevil brooding on the top of a building back in New York, thinking about the recent events of his life. We follow his thoughts through caption boxes that run for pages, but at least we get a nice recap of what he’s been up to. He contemplates both the state of the country, which was recently very nearly overtaken by the Mandrill (now that’s a politically incorrect character if there ever was one), and that of his own life. If it weren’t for the rather pretentious tone of the writing, and the bizarre events remembered, this almost reads like a post-Miller version of Daredevil. As an airplane passes overhead, Daredevil revisits another memory from the recent past: having to say good bye to Natasha, aka the Black Widow, at the airport in San Francisco.

Returning to his apartment, Matt just barely misses a call from Candace Nelson who has just received an unwelcome visit from the FBI. Just as they are about to take her off to headquarters and start talking about impounding some papers – “the Sallis papers” as we’re about to find out – the Gladiator crashes through the window (these villains and their stealth manners…) and takes off with both the hapless journalism student and her secret papers.

The next day, we see Matt and Foggy contemplating the situation in Foggy’s apartment. Matt decides to get right on it by going to visit Candace’s journalism professor at Emerald State University, a Dr. Charles Laing. Foggy, meanwhile, laments his condition and complains to himself that he can’t even keep up with a blind man.

In his office, Dr. Laing explains to Matt that the papers Candace stumbled upon had to do with the relationship between the military and the university, specifically a project called Operation: Sulphur (hey, throw some brimstone in there and you’re all set), which was the work of a chemist called Theodore Sallis. Sallis had developed a serum that could turn men into pollution-breathing monsters, which would allow humans to continue to pollute the environment. Sallis himself disappeared in the Florida Everglades after the project was abandoned. Matt is basically being told the origin of Man-Thing (whose solo title Gerber was writing at the time).

Matt sets off to the Everglades and manages to talk a local radio newsman into driving him out to the shack Sallis used to rent before he went missing. The Gladiator is at the scene, holding Candace hostage in the shed, and the newsman is conveniently knocked unconscious which lets Matt go into action as Daredevil. Three pages of fighting follow, ending with DD tacking a knock to the head. While DD is unconscious, the Gladiator is joined by the Deathstalker and Man-Thing and… Nope, that’s the end of the issue. To be continued and all that.

One thing that occured to me while I was reading this issue was the idea that developing life forms that are able to digest environmental toxins would be a bad thing. I mean, it would be if you had to create these beasts out of other organisms, but these days using micro-organisms to aid in the processing of sewage is seen as a good thing. Yeah, I used to work in the life sciences, and apparently it affects how I read 35-year-old comic books. ;)

Anyway, this is a fun issue. It’s very rough around the edges, and it’s not “good” in the way that modern DD is good – they’re like two different animals – but in terms of entertainment value, I give this a solid 3 out of 5.

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Daredevil vol 2, #26 is the first issue of Brian Michael Bendis’s long run on the book. He had written a previous story arc called Wake Up (issues #16-19) with art by David Mack, but this issue was the beginning of the “Bendis run proper,” with Alex Maleev on art duties.

Bendis definitely changed the tone of Daredevil while on the book, and you feel that change right off the bat in this issue. Daredevil comes across as a different kind of superhero book that appeals to the mature reader in both content and style. This is reflected in Maleev’s realistic-looking art, complete with a washed out and gritty feel.

You also get a taste of that typical Bendis style dialogue in this issue. While it tends to get annoying in his Avengers books and elsewhere, it works pretty well here and gives the reader a sense of the characters being real people.

Here, we are introduced to Sammy Silke, the man who will be instrumental in Matt Murdock’s subsequent downfall. A small-time crook with ties to an influential mob family, he gets his fellow mobsters together to “do a Ceasar” on the Kingpin himself, and the events of the first half of the issue show the fat man’s apparent demise. I like the Ceasar reference, personally, and this scene feels like it’s been cut from a classic gangster movie.

For the second half of the issue, we cut to Matt Murdock delivering his closing argument in a civil case against a shady drug company. It’s a great lawyer scene and a nice introduction to the character, even though I have a hard time swallowing the premise of the case he’s arguing (a drug company selling a form of amphetamine aimed at teens lies to the FDA about nasty side effects though it seems to me that the effects of taking amphetamines would be pretty obvious and that the FDA would never approve or even look at a drug made for illicit purposes anyway).

Matt wins his case, but gets in trouble outside the courthouse when a bomb – or rather, a person – explodes. He realizes immediately that he was the intended target for this hit, and with his head still in disarray he sets out after the bomber, finding him a few blocks away…

Bendis does a fine job of getting inside Matt’s head in this issue. He gets to the heart of his confusion, both physical in his senses being assaulted by the bomb, and the unsettling feeling of knowing that the attack was aimed at him in his then-secret identity, and not at Daredevil. This is a sign of things to come, and he knows that he has reason to worry.

The art is good. Maleev did great work on Daredevil from the very beginning, but I feel that his art got better and better and must admit to liking late Maleev much better than early Maleev. There are some great panels here, but some look a little odd to me, and the art is not as dynamic as it could be. Still, it adds to the overall quality of the issue, the first of many to come.

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