Commentary icon

"My other senses more than compensate"

by Christine on June 3, 2008 in Blindness & Disability,Character Basics,Commentary

There are a few common misperceptions about Daredevil that tend to bother me. One is the idea some fans hold that he’s a “devout Catholic.” Outside of the movie and Kevin Smith’s brief run, Matt has never actually been portrayed as a regular church-goer, or even as particularly religious. Sure, he was raised in an Irish Catholic environment, but in most ways Matt is your typical urban secular yuppie (his other “job” aside).

Another myth is that he sleeps around a lot. This one has been repeated so many times that it’s become “true,” even though Matt hasn’t actually been with that many women. In fact, he’s the definition of a serial monogamist. People who are long-time readers of the comic will know this. People who are not, or who have read only certain runs might tend to buy into this myth because it’s been repeated often enough. It doesn’t help that some writers, like the above mentioned Kevin Smith, have added to and helped spread this myth. I also wonder how Matt manages to be both a “pussy hound” (pardon the NC-17 langauge), to borrow Smith’s words, and a devout Catholic at the same time.

The third “myth,” the one I’m addressing in this post, is the one that has been the most pervasive, in part because it has actively been added to by many – if not most – Daredevil writers, though they may not have done so knowingly. It’s the one that reinforces the belief that “Daredevil can ‘see’ better than any sighted man,” “his other senses more than compensate for his blindness,” “DD isn’t really blind/disabled/ handicapped/whatever,” and so on. Anyone who knows me, knows that this is one of my major pet peeves when it comes to people’s view of the character (I don’t particularly care whether anyone thinks it’s an important part of the character, it’s just that any version of the above makes me want to slam my head against my desk). Since I regularly search the Internet for any discussions related to Daredevil, using search engines like Boardreader.com, I can tell you that statements like those mentioned above actually do come up quite frequently. They bother me for the same reason it bothers me to watch the Jaywalking segment on the Tonight Show when some random idiot claims that the United States fought Great Britain in World War II and that the war took place in the 60′s. They bother me because this kind of flawed reasoning is uninformed and just plain uninsightful.

But if so many of the writers themselves are guilty of perpetuating this idea, what gives me the right to go against many of the greats who have worked on the book and call this a flat-out myth? Well, good ol’ common sense does. That’s all it takes really. Before letting this topic go, and getting it off my chest once and for all, I would like to take a thorough look at this issue and really get to the bottom of it. My belief is that the two main sources of “error” here are 1) a mistaken view of what a disability is and what it isn’t, and 2) the highly questionable notion that perceiving shapes equals good vision. Let’s take a look…

Myth: Disabilities are by their very nature obvious, highly damaging and necessarily impact every aspect of a person’s life.

Anyone who subscribes to this idea will take one quick look at Matt Murdock and all his extraordinary abilities and simply decide that he doesn’t fit their view of what a person with a disability looks like. The fact that he has actual superpowers (though I’ve noticed some fans are uncomfortable with this idea and prefer to just call them heightened senses) adds to make the whole idea of a “disabled superhero” seem like an impossible contradiction. His whole physiology actually makes him better at many things and gives him access to perceptions that lie far beyond that of the average human. How can someone who can double as a human lie detector and perceive an attack from every angle be disabled? Well, to answer this, let’s begin by sorting out the definitions…

The World Health Organization gives us one (there are several) definition for the related terms impairment, disability, and handicap. An impairment is basically an abnormality of some bodily structure or function. A disability might be said to be the consequences or physical manifestations of the impairment, and a handicap is the disadvantage that the person with the disability faces when the demands of the environment are at odds with said disability. For instance, an inability to walk is a disability that results from an impairment (let’s say a spinal cord injury) and which may or may not constitute a handicap at any given time. If there were no stairs in the world and all surfaces were completely flat, this kind of disability would rarely constitute a significant handicap. This is an important point to make, because the consequences of a disability can actually be very context-dependent, and may not be the least bit limiting in one situation while being much more so in some other situation. There are lots of examples of people with various disabilites who perform much better than the human norm in some areas where their specific disability is not a factor. Examples of this include Marla Runyan, legally blind U.S. olympian and long-distance runner who was once the highest ranked female marathon runner in the country, and Terrance Parkins, a South African deaf swimmer who won a silver medal at the 2000 Olympics.

The people mentioned above obviously don’t have any superpowers, but the point here is that a disability is not necessarily always either relevant or detrimental to the completion of a certain task. It depends entirely on the nature of the particular disability and on the situation. The fact that Daredevil has powers and abilities that allow him to fight with greater skill and accuracy than might be humanly possible, and to detect certain things that others cannot, does not actually make him “not disabled.” So long as his radar sense and other heightened senses do not fully replace all functions of normal vision, this will always be true. Which brings me to…

Myth: Having a radar sense and heightened senses of touch, smell, hearing and taste compensate completely for being totally blind.

When you go back to the basics, that is the actual comic itself and sources like the Marvel Universe Handbook, Daredevil’s powers, while somewhat sketchy, are pretty basic: four senses heightened far beyond the human norm, except for sight, and a radar sense. The story on the radar sense has always been that it gives Daredevil a 360 degree three-dimensional “view” of his surroundings. So that’s pretty much like seeing, only better, right? Uhm, not exactly…

I buy that the radar gives him an edge in combat. In fact, I’ve always found Daredevil to be a higly believable superhero. However, none of his senses come even close to compensating for Matt’s most obvious (and not so minor) disability, which is the fact that he’s 100% color blind. He gets a three-dimensional view of his surroundings, but that’s all he gets. What I mean by that is that he misses everything that is rendered exclusively in two dimensions. Everything color-coded, everything written, everything displayed on a screen, and everything light-based.

For those who would shrug this off as being merely an issue of esthetics, I would suggest the following experiment: The next time you go to the store, imagine that everything is the same color and watch the incidental visual information that most of us take for granted disappear. That includes every single sign, all of those “2 for 1″ deals they have advertised, the newspaper headlines, the names of every single product on every shelf. It’s all shapes. Of course, fell free to add in sounds and scents. Pretending you’re Matt Murdock for a second, you can most likely identify each section of the supermarket by scent and, to a certain degree, by shape. The cereal isle, for instance, is full of generic shapes that might smell different when you get close enough – though keep in mind that scents always blend together – and you can touch the box to read it. But, you cannot visually scan for anything. For the average person, it would take mere seconds to pick out the cheapest brand on the shelf. If your only means of doing this is by touch, it will take you a whole lot longer and since most pricing information is hidden under a thick layer of plastic, it might even be impossible. Well, unless you have one of those universal bar code scanners. I’m not saying that this is necessarily a big deal, but it is clearly an inconvenience.

At this point, someone might say that a highly acute sense of smell compensates when it comes to shopping for food, but let’s take this experiment to another location. Let’s go to the book store or the computer store. Say you’re shopping for a new ethernet cable for your modem. You enter the store and all you get is various shapes, the smell of plastic and signs you can’t read. Okay, well let’s say you walk through each aisle until you find the area where all of the cords and cables are kept (and these types of packages tend to have distinctive shapes, so I’ll buy that). Now what? Well, what kind of cable do you want? How long should it be? What brand? What other specific information are you not seeing? Go ahead and touch each label, and that will give you the information you need. However, if you could easily read things without touching them you would probably approach this task by quickly scanning the supply, identifying first where the ethernet cables are (and not the firewire, phone or USB cables…) and then quickly narrow down your selection from there to first brand and then length. This would take a fraction of the time it would take if you had to do it by touch. The “can only read what you’re physically touching” issue becomes even more of a problem in a bookstore, where not even the shapes are distinctive…

…which brings me to reading generally. If you can read everything (printed) by touch, then quickly searching for written information should be a snap, right? That’s another no. What do you do when you read the paper? Do you start in one corner and then read the whole thing until you’re finished. If you’re like me, you open it up, look at the page for a couple of seconds at the most and decide if there’s anything you want to read. Heck, it may even be covered by one big fat ad. So, you flip the page if there’s nothing on it that interests you. Because the advantage of vision over touch here is enormous. Vision lets you take in all that information in no time because you can process so much simultaneously. This issue becomes even more obvious if you imagine that you’re looking something up in the phone book. Visual scanning is insanely fast compared to having to stop to touch the page.

These are just a handful of examples that all illustrate my main point, which is that vision consists of much more than only detecting shapes, and that an inability to perceive two-dimensional visual information should justifiably be considered a disability, regardless of what other abilities a person might have. So, when Matt opened up to Elektra and told her about his powers, adding “my other senses more than compensate,” I wonder if he felt the same way an hour later sitting in class in front of a black board he couldn’t read.

It is interesting to note that the writers who have gone the farthest in really trying to describe Daredevil’s enhanced senses are the ones who have been the best at reminding the reader that the hero is also blind. I don’t think this is a coincidence. When you really try to get inside his head, you realize the immense powers of his world. You also quickly realize the limitations. Yes, oftentimes Daredevil’s senses do more than compensate for his blindness, sometimes going far beyond the human norm. But to suggest that they always compensate is a logical fallacy of major proportions. And, if you ask me, doing so even cheapens the character. It allows Marvel to have their disability cake and eat it too. They can milk the “Daredevil is special because he’s handicapped” premise for all they’re worth, but as long as they refuse to actually touch it with a ten-foot pole, it all sounds a little hollow to me.

I touched on some of these points in a previous post as well, but part of the reason for bringing them up again here, aside from getting this out of my system once and for all, was some of the answers I got when I asked comic readers who are not fans of the character what they didn’t like about him. I will get back to all the answers I got in a later post (this was on Newsarama and Comic Book Resources, by the way), but at least two or three people pointed to some version of “you can’t even tell he’s blind” as one of the reasons they found Daredevil to be less interesting than his basic premise would suggest. I thought that was interesting, but I wasn’t surprised. I’ve stated before that I think this is a weakness in how the character has been portrayed, and I know I’m not the only one. Fortunately, Brubaker has, in my opinion, performed the best of any writer ever in this department, and I believe that we will see a more nuanced and modern take on Daredevil’s abilities in the years to come.

( 9 comments… read them and get in on the fun )

james June 4, 2008 at 8:36 am

This is an excellent essay, addressing some of the ways that literature and popular culture can unintentionally perpetuation scientific/medical myths. Thank you for the great post. I’d like to add this site to my blogroll at defendersfan.blogspot.com

Christine June 4, 2008 at 8:54 am

Thank you James! I’ve been rather vocal on this issue a couple of times in other fora and been met with a certain amount of “WTF” for it, but I stand by my views on this one. It is a myth, and one that I believe is actually damaging to the character. Fortunately, Bru’s work is definitely leading in the right direction as far as this issue goes. Now, if only he would let up on the guy, just a little, I’d be very happy. :)

Thank you for the add to your blogroll! I will return the favor.

alice June 4, 2008 at 9:29 am

Excellent essay, Christine! As we have discussed this issue at length in chats, I must say that you have really put my feelings about the disability issues into words.

I agree that Brubaker is writing a much more believable Matt Murdock right now. I hope that trend continues.

Rob Close July 3, 2008 at 6:55 am

excellent essay, well conceived. i especially enjoyed doing those mental exercises you suggested to get into DD’s perspective.

weaknesses really make a character – and kryptonite doesn’t count. those human elements in DD are what allow us to make it through all the noir moments with some hope. and matt’s blindness is really the focal point of his humanity for us reader’s – any writer ignoring that is really missing out so much on his character. Bru is doing a great job at this balancing act – but to be honest, I guess I really wasn’t missing that aspect too much during Bendis’ run (probably cuz it was too much kick-ass fun to care)

Christine July 3, 2008 at 9:22 am

Thanks Rob! I kind of felt like I was going out on a limb even writing this post so it’s nice to get some positive feedback.

I agree that Matt’s blindness adds a lot of humanity, but that’s the aspect of the character that the reader normally has to fill in for himself since most writers don’t really seem comfortable dealing with it. Doing it well also requires some imagination on the part of the writer and many don’t put in the extra effort even when it would really add something to the character, such as letting him solve a problem by being extra resourceful every once in a while rather than pretending that his radar and superhearing will fix everything.

When it comes to Bendis, I really liked his run a lot, and I loved Maleev’s art as well. But one thing I remember from the Decalogue arc that made me think of some of these things (okay, I’m actually quoting from the book now, LOL) was when Matt told about his encounter with the “demon baby,” saying:

“The one thing I do very well, is understand the world around me. The tastes, the smells, the sounds. This is what I can do. And in doing so I usually can paint a picture for myself that is actually better than sight.”

Of course, the interesting thing about this passage is that it leads into an explanation of him feeling helpless because he couldn’t understand what he was confronted with, but it’s also a pretty good example of when writers feel the need to almost apologize for DD’s blindness. Don’t get me wrong, I don’t have any real issues with this passage at all, but one thing that struck me when I read it is that it almost makes Matt come across as slightly immature. Not this specific quote so much, as just a bunch of other previous situations in the book that it reminded me of, going all the way back to Elektra and his saying “But I have other abilities that more than compensate.”

Now, as a nineteen-year-old, this kind of attitude actually makes sense. Elektra has basically shunned him at first because of his blindness, and he’s trying really hard to impress her. But as someone who is 30+, has been blind for more than half his life (albeit in a very unique way), you’d think he’d be comfortable with a more “Oh hey, I can hear heartbeats but can’t read a street sign, but that’s all nice and dandy, and I’m cool with it” kind of attitude.

Realistically, he would be somewhat inconvenienced by his blindness several times a day, and he would be acutely aware of the fact that doing x, y, and z would be easier if he could see normally. Whenever writers put words in his mouth that suggest some need on his behalf to prove himself as being better than everyone else it just comes across as slightly immature to me. You’d think that after almost twenty years, he would have found a healthy and adult way of relating to both his superabilities and his disability.

Oh well, that turned into another essay, I guess. But anyway, I think Bru does really well with this issue and that Bendis did okay as well, for the most part. :)

dmstarz October 29, 2008 at 1:01 pm

Thanks, Christine for the heads up on your articles – both really thought provoking. I like the notion of Matt being ‘colour blind’ – that seems very perceptive to me.

Two additional thoughts:

1 Frank Miller to some extent addressed the dilemma of the whole ‘heightened senses’ thing in one issue where Matt seems unable to stop the clashing of noise from his heightened hearing – this has sometimes been addressed by other writers and also was in the Daredevil movie (Matt sleeping in a crypt to block out noise). In a way, it vicariously addresses his blindness by emphasising the impact of another sense.

2 More a question than a comment – has the whole notion of introducing Milla Donovan over the last few years helped bring the ‘blindness’ to the fore once again? In what ways do the characters contrast? These are just thoughts I’m having without real reference to what I’ve read (I’d have to look myself maybe to answer these concerns).

Anyway, cheers!

Christine October 29, 2008 at 2:03 pm

Hey, dmstarz.

Regarding Frank Miller, I think he did a lot to try to explore Matt’s inner world and the double-edged sword of having heightened senses (which must be a lot like having a form of tinnitus when you think about it). He also did his part in trying to readress the nature and origin of the radar sense, making it more of a mystical ability. I’ll return to this in depth when I get back to my history of the radar sense series and the chapter on Miller.

When it comes to Milla, I’m not quite sure what to think. They brought in another blind character but never really addressed what that meant, if anything. I’m not saying they should have, but when it comes to the character of Daredevil, I do think writers are hesitant to address the blindness issue, and bringing in Milla was one way of doing so without really commenting on it.

When it comes to how I personally think Matt and Milla clash, I’d say that they would obviously share some common concerns while Milla would have to deal with a host of issues that Matt would be unaffected by. In practice, this would mean that both would have a vision-related disability, but hers would be considerably more severe than his.

I’ve been in debates with DD readers who do not buy the “disabled superhero” aspect at all, indicating that they don’t think he’d have anything in common with regular blind people or in any way consider himself disabled. I obviously disagree with this, on the basis of it being counter-intuitive, and I’ve often answered by stating that even in real life, there is a spectrum between total blindness and 20/20 vision. It is quite obvious that Matt’s other senses restore certain functions that the average person would use their eyes to perform, and give him certain abilities that normal people don’t have at all. It’s the idea that he doesn’t have a rather severe vision problem which would have to be addressed, accomodated and dealt with in various ways that I don’t buy. (Case in point: any time you have evidence in court that’s either a photo or something from a surveillance camera, for instance. Also, in most academic settings, his advantage over the average totally blind student would be modest at best.)

I don’t advocate making this a big part of the book or the character, but it’s nice when a writer, like Bru, at least doesn’t seem to be afraid to acknowledge it when appropriate.

Andrew December 19, 2009 at 11:51 pm

I was instantly attracted to DD as a kid when I first discovered his comics in large part because I could relate to his having a disability. In fact, it felt like a revelation at the time to see a hero with one. I never before imagined someone would create a hero like this, because you just don’t think of heroes (certainly not superheroes) as being disabled in some way.

I was born partially deaf because of a congenital defect and while I am able to navigate through the world quite well I will always be at a certain disadvantage (depending on the situation), no matter how good my coping strategies are. So the notion that Matt’s other abilities “more than compensate” for his lack of vision never made sense to me, because I know it doesn’t work that way. He can hear things we cannot; smell, taste and feel things imperceptible to the rest of us. But we (anyone reading this) can see a world in vibrant colour that he can only perceive as a memory. It is one of the most intriguing aspects of the character, that as readers we can explore a world of heightened perceptions vicariously through him while also being reminded by his limitations of how our experience of the world is so often defined by sight. Comics are a visual medium where the art drives the story, so we’re looking at a character who himself could not even enjoy his own story (if he were real) as we do.

Christine December 27, 2009 at 6:01 pm

@Andrew: Thanks for your comment on this post which was one I did pour quite a bit of heart (and some strong opinions) into. I can definitely see why you would feel a certain connection with our fav guy in red. I’ve always liked this aspect of the character as well, for many different reasons. Though I don’t have any personal experiences in this area, I’ve always had an interest in the “sociology of disability” (not sure how to put it), and a lot of what I do at work deals with online accessibility. I’ve also had a longstanding interest in the senses, and even wrote a paper about brain plasticity and sensory compensation for my neurobiology class back in college. Combine that with my childhood love of superheroes and sci-fi, and the general awesomeness of Matt Murdock as a character and my love of Daredevil is easy to see.

It’s interesting that you would mention the irony of the Daredevil comic being largely inaccessible to the title character himself, which is something that has entered my mind too from time to time. I could talk at length about this subject, and already have, here and elsewhere, but I’d be more interested to hear your views on how this subject has actually been handled in the comics. I’ve expressed some disappointment in this post (as well as in a previous post) about how this aspect of the character has been dealt with. I would hope that readers in the 21st century would be mature enough to be able to handle a more realistic take on this. OTOH, there’s also the much later introduction of Echo that shows us how little Marvel has learned over the years. Why come up with a deaf character and make a major point of her ability to read lips and speak perfectly? Doesn’t that make the whole thing into just a novelty, and does her apparent “perfection” really matter? Which sort of brings me back to the whole “my other senses more than compensate” issue. If the point of Daredevil’s power set is to make his blindness irrelevant, then why make him blind in the first place?

Well, I’d better leave this issue before I get into another whole thing here. LOL Thanks again for commenting. :D

Leave a Comment

Previous post:

Next post: